Last, but certainly not least, my LGBQTIA family. I see each and every one of you. The things that make us different, those are superpowers. Everyday when you walk out the door put on your imaginary cape and go out there and conquer the world. Because the world would not be as beautiful as it is if you weren’t in it.
While solid-color gowns in standard shades of black, red and metallics dominated the Emmy red carpet, "Big Little Lies" star Zoë Kravitz wore every color from sunrise to sunset.
Topped with a black bodice, her feathered Dior gown's full-length skirt blazed in a mélange that flowed from red, yellow and orange to daytime hues of yellow, green and blue. That's the Hollywood definition of day-to-night dressing.
Picture the single most out-of-sync anecdote a person could drop on the red carpet for television's biggest night. Got it?
You don't. What Shailene Woodley said was worse.
The nominee for supporting actress in a limited series stumbled into an epic faux pas when taking part of E's "Live From the Red Carpet," when she admitted she really doesn't have time to watch television.
All my friends watch TV. I just ask them when they have time to. When do people have time to? I’m a reader. So I always read a book instead of turning on my TV.
It was a moment Lena Waithe had little interest in sharing. Sure, as a writer, Waithe wanted to tell queer narratives. But a “coming out” story? Well, she wasn’t eager to revisit that chapter of her life. And she also felt like it had become a trope for every LGBTQ character.
But then she had a meeting with “Master of None” co-creators Aziz Ansari and Alan Yang as they were beginning to think about Season 2 of the Netflix comedy, in which she plays Denise, a friend of Ansari’s character, Dev. A discussion about her current relationship led to questions about how Waithe had come out to her family.
“It became clear we had a lot of material for an episode,” Ansari recalls in an email. “It was all interesting, hilarious and not quite like anything I’d seen on TV/film before.”
Bruce Miller, writer and showrunner for Hulu’s apocalyptic drama “The Handmaid’s Tale,” took home the Emmy for writer in a drama series.
Backstage in the press room, he faced the inevitable barrage of questions about the show’s current resonance, which he both embraced and played down in equal measures.
“I think it all comes from the book, which had the same following,” he said of Margaret Atwood’s 1985 novel. “The same fascination holds. The story has been magnetic. Nowadays, people worry they are living in a society where big things are happening and you look at a character like Offred [played by Elisabeth Moss] living under such horrible oppression who still finds ways to rebel, and to live.”