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'Lena Finkle's Magic Barrel' conjures a new literary form
'Lena Finkle's Magic Barrel' conjures a new literary form

It's tempting to frame Anya Ulinich's "Lena Finkle's Magic Barrel" in terms of its antecedents: Bernard Malamud and Anton Chekhov, on the one hand, both of whom are referenced in the narrative, and on the other, graphic novelists such as Marjane Satrapi and Harvey Pekar, whose work is rich, allusive and (perhaps most important) alive with words. What's more accurate, however, is that "Lena Finkle's Magic Barrel" has no antecedents, that it transcends its influences so thoroughly it creates a form, a language, all its own. Ulinich wrote a previous (nongraphic) novel, 2007's "Petropolis," which tells the story of a Russian...

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