The first stop for many at the Warner Bros. and InStyle party was the L'Oréal flats machine. That's right, there was a machine on hand doling out free rollable flat shoes for any lady whose tootsies were wiped out after wearing heels all day.
That did not include Mariah Carey, who was posted up in the first banquette inside the party surrounded by a slew of Hollywood power players: Ashley Judd, Salma Hayek and Rowan Blanchard. Blanchard, 16, wasn't the only teen in attendance – Ava Witherspoon, 18, attended the bash with her mom, Reese.
Busy Phillips, who is typically Michelle Williams' plus-one – this year, Williams brought #MeToo founder Tarana Burke instead – caught up with her BFF at the party. They were hanging out near the "I, Tonya" crew, including Tonya Harding herself.
As some Golden Globe after-parties cleared out (ahem, the domed tent of the Focus party), others got packed — and some of the hottest soirées Sunday night turned out to be thrown by the newer kids on the block.
Like Netflix’s, Amazon’s penthouse party at the Beverly Hilton Hotel was a hot ticket. Around 11:30 p.m., Viola Davis made her way down the hallways just as Mariah Carey was gliding out; guests arriving in the witching hour were greeted by the booming sounds of rising rapper Cardi B.
Her breakout hit, “Bodak Yellow,” gave way to a supremely danceable DJ set as attendees filled a small dance floor, gazing out at the Los Angeles skyline from penthouse heights.
The network, which aired Sunday’s show, then removed the tweet, explaining that it had been posted by a third-party agency used by NBC Entertainment and “was not meant to be a political statement.”
Yesterday a tweet about the Golden Globes and Oprah Winfrey was sent by a third party agency for NBC Entertainment in real time during the broadcast. It is in reference to a joke made during the monologue and not meant to be a political statement. We have since removed the tweet.
The Fox Golden Globes bash — which included 20th Century Fox, Fox Searchlight, FX, National Geographic and Hulu — was an early must-stop for Globes-goers who noshed on charcuterie and cheeses.
“Shape of Water” mastermind Guillermo del Toro and Martin McDonagh, director of “Three Billboards Outside Ebbing, Missouri” (which won for motion picture – drama), arrived showing off their Golden Globes.
The evening’s winningest studio had a lot to celebrate at the sprawling after-party held on the roof terrace of the Beverly Hilton, where glinting chandeliers hung high above post-show revelers.
The 75th Golden Globes were the first major awards show of Hollywood’s #MeToo movement, and the Hollywood Foreign Press Assn. didn’t miss its cue.
The procession of black dresses that began at the Beverly Hilton’s red carpet moved to the winner’s podium as films and television shows driven by women — “Lady Bird,” “Three Billboards Outside Ebbing, Missouri,” “The Handmaid’s Tale,” “Big Little Lies” and “The Marvelous Mrs. Maisel” — prevailed at a ceremony marked mostly by serious speeches focusing on months of allegations and admissions of sexual harassment within Hollywood.
“There’s a new era underway,” host Seth Meyers said moments into his opening monologue, “and I can tell, because it’s been years since a white man was this nervous in Hollywood.”
When the president was still a mere grandiose builder in the late 1980s, he did the rounds criticizing U.S. foreign policy after taking out a full-page ad on the topic and sparking debate about his own presidential aspirations.
We all have lived too many years in a culture broken by brutally powerful men. For too long, women have not been heard or believed if they dare speak the truth to the power of those men. But their time is up.
Oprah Winfrey may not be running for president — yet — but on Sunday, it felt like she was kicking off her campaign.
Accepting the Cecil B. DeMille Award at the 75th Golden Globes on a night focused on sexual harassment within the entertainment business, the talk show guru brought the crowd of black-clad celebrities to their feet with a rousing speech about the power of speaking out against abuse and injustice.
Even before she took the stage, Winfrey was the center of attention. In his opening monologue, host Seth Meyers joked about his hope that she’d run for president (with Tom Hanks as her running mate). Award winners Sterling K. Brown of “This Is Us” and Rachel Brosnahan of “The Marvelous Mrs. Maisel” both gave Winfrey shout-outs in their acceptance speeches.
Last January, women marched in cities across the U.S. in a show of solidarity against the patriarchy. A year later, the protest came to the red carpet. Sunday night at the 75th Golden Globe Awards, hundreds of women, and men, chose to speak about gender parity and sexual harassment instead of their designers. And instead of pink, they wore black.
Days before the ceremony, 300 powerful women in Hollywood announced the Time’s Up campaign, an initiative to draw attention to sexual harassment in the industry and beyond, and asked Globe attendees to wear black. Virtually all of them did, creating what Meryl Streep called “a thick black line” that wound its way up the red carpet and into the Beverly Hilton, where winner after winner thanked the power of women rather than the usual laundry list of power brokers.
The evening hit a crescendo when, accepting the Cecil B. DeMille award, Oprah Winfrey brought the house down with a speech calling for the day when no woman would have to say “Me too”; Barbra Streisand expressed shock that she was the only woman to receive a Globe for best director, and even Thelma and Louise (Geena Davis and Susan Sarandon) were resurrected to announce one of the evening’s top awards, perhaps to show how far the industry has, and has not, come since they drove off that cliff 27 years ago rather than return to their limited lives.
On a night that will be remembered mostly for its somber attire, sober attitude and that rousing speech from Oprah Winfrey, there was at least one glimmer of the classic, madcap unpredictability of the Golden Globes. That was provided, appropriately enough, by James Franco, Tommy Wiseau and the inside-out making-of tale “The Disaster Artist.”
When Franco won lead actor in a motion picture, comedy or musical for his portrayal of Wiseau, Franco grabbed his younger brother and costar Dave Franco and dragged him onstage. And then from somewhere far, far in the back of the room came Wiseau, barreling onstage at the elder Franco’s exhortation. As Wiseau reached the stage, he headed straight for the microphone but James Franco physically blocked him from it.
Franco instead read a speech from his phone, saying of Wiseau, “Nineteen years ago he was stuck in traffic, from the Golden Globes, he said to his best friend Greg,” — and here Franco briefly launched into Wiseau’s distinctive, unplaceable accent — “‘Golden Globes, so what, I’m not invited. I know they don’t want me, guy with accent, long hair, so I show them. I don’t wait for Hollywood, I make my own movie.’”