MARLEY MIX

The concept of a “remix” was practically invented in Jamaica in the early ‘70s, when engineers such as King Tubby began playing instrumental versions of hit recordings at dances, emphasizing the bass and the drums. The form became known as “dub,” and is considered a progenitor of hip-hop.

Still, it’s surprising to see that Island Records is putting out an album featuring remixes of Bob Marley tunes, including “Exodus” and “Waiting in Vain.” Given the late reggae star’s legendary status, you’d think that anyone would be nervous about tampering with his music.

But “Dreams of Freedom: Ambient Translations of Bob Marley in Dub,” which is due in September, is strikingly effective.

“It’s the same as Marley records that you’ve already heard, but in a different format,” explains producer Bill Laswell. “You have to maintain a certain amount of respect of the overall feel and spirit. I didn’t add too many instruments, but I switched the emphasis, finding the ambient center of the song and bringing up the more rhythmic aspect. But the most important thing is to not lose that spirit.”