The Naked Truth

In “Carmen’s Bold Role Reversal” (Nov. 7), Jordan Levin did not tell us if, like in his “Giselle,” Mats Ek’s “Carmen” will subject us to ugly decor, minimal choreography and absurd costuming--and, let us not forget, to a totally naked man prancing about to close the show?

I would love to revisit the dancers from Lyon, but Mats Ek gives me the heebie-jeebies.

G.J. DESSORNES

Thousand Oaks