Itās Just a Date
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Standing in the receiving line at my friend Marilynās wedding, Iām trying to recall the receiving line dialogue from āFour Weddings and a Funeral.ā The only thing that comes to mind is, āThe bride looks pregnant.ā I guess Iām a little tense.
Iām wearing a tux, my first since Senior Night at Curtis High School on Staten Island. I was 17 then and everything was about sex. If you got a French kiss good night, you were floating on air. Now Iām 50, and as I overhear people trying to reassure themselves that theyāre headed in the right direction, I realize the air has become much heavier for all of us.
This wedding is my first social outing since I separated from my wife of 12 years. I manage to get through the receiving line muttering how lovely and happy everyone looks. Then I reach Marilyn, who looks like a beautiful porcelain bride: the smile, the kiss, the hug, the word of thanks, then on to the next. This perfect rhythm is broken at the sight of me. Her whole face changes from porcelain doll to Jim Carrey in āThe Mask.ā With great urgency and purpose, she leans forward and whispers in my ear, āI sat you at the singles table.ā
Iām puzzled. Then I remember: Iām single! And Iām horrified. Iād been thinking I was divorced, separated, but now I find out Iām also single. I rack my brain. Singles, singles, how do they act? Have I seen any recently? I have. Theyāre always talking on their cell phones. At Blockbuster, the supermarket, Tower Records. The one thing they all seem to have in common is an air of self-assurance. How did they get this way?
In a moment of lucid panic, I decide to act like myself--or my past self--but before I can take my newfound confidence to the singles table, Marilyn hits me with the second gut punch: āI sat you between two interesting women. Oneās older. Oneās younger.ā
I manage to locate Table 15, a.k.a. the singles table. As I turn to scout for the closest exit, my crazed gaze is met by patchouli. The scent, not the person. Oh, it comes with a person all right--a very, very attractive person. āIām Terry,ā she says. āBob,ā I reply, taking her hand. Terry sits down, checks out the gathering members of our table and then gives the entire room the once-over.
Just then the band starts to play. Terry has to whisper in my ear to be understood, which literally sends chills up and down my spine. Iām still alive to a womanās touch, although at this point I donāt know if thatās good or bad. Meanwhile, I canāt hear a word that Terry is saying.
The soup hits my plate at the same time the empty seat next to me is filled by a 35-year-old Sophia Loren, with hair, demeanor, face and cleavage to match the real thing. (Iām guessing this is the Younger One.) She introduces herself as Monica, shakes my hand and promptly starts scoping out the room. For a single, a social setting is a war zone. Since Iām new at this, I decide Iāll just be Switzerland for the evening.
Even though Terry and Monica donāt seem especially interested in me, I have a great time. I eat a meal I didnāt cook for my kids. I mingle wth singles. I drink their wine, talk their talk, walk their walk.
But am I ready for a date? āDonāt worry,ā says my friend Rick, who is setting me up. āKate and I will double with you. In case Kelly doesnāt like you, sheāll have us to talk to.ā He laughs. I donāt.
Date night. My first date in 15 years, and the reality of the evening hits me. What do I wear? Do I have first-date clothes? Never mind that--do I have enough hair? Is my body hard enough? Do I look too old? Do I look beaten? Do I look bitter? Do I look like a poor slob whoās been dumped by his wife of 12 years?
I shower and try to think of what the 90-year-old mother of my best friend Bob said to me: āWell, you certainly are a good-looking man.ā Itās my mantra. I repeat it over and over until Iām standing in front of Rick as he introduces me to Kelly. She smiles, shakes my hand and returns to a conversation with Kate. Not a good sign. The evening continues in this manner until weāre at the restaurant and Kelly touches my arm to emphasize a point. She does it more than once, and I decide this is good. Outside the restaurant, while waiting for Kellyās car, she actually talks directly to me. I can feel the tide turning. Her car arrives. We shake hands. Not a kiss, but Iām still optimistic, until Kate calls the next day and tells me Kelly isnāt interested in going out with anyone right now.
I decide to put dating on the back burner until my friend Michael calls and asks whether I remember a woman named Anita, whose son was in my daughterās kindergarten class. I actually do remember her, and Michael will ask Anita the same question: Does she remember me and (more important) does she want to go out with me?
A few days later Michael rings back with Anitaās number. I call. We have a great chat for almost an hour. Anita is going off to London for a week, and sheāll phone me when she returns. Sounds good, but I donāt hear from her for two weeks, so I do something impulsive. I call and leave a message on her machine. Nothing for another week. I hate dating--until she calls and invites me for coffee.
Anita is as I remember her: smart, quick, assertive, great sense of humor, sexy. We get along well. She invites me back for a tour of her house. I feel liked. She insists on walking me back to my car. This is great. She asks me to come over sometime with my three kids; sheāll make dinner for all of us.
Is this the same woman who was so hard to reach on the phone?
Apparently it is. I never hear from Anita again.
Iām in the bullpen for about three days before I hear from Rick and Kate again. They want to fix me up on another date. āSheās my best friend,ā Kate says.
āI canāt take that responsibility,ā I tell myself. Then I relax. Hey, nobody has liked me so far.
The evening goes pretty well with Liz. She enjoys dinner, likes the restaurantās terra-cotta floor, the artwork on the walls, the ladiesā room decor. Since Liz has liked everything sheās seen, touched, eaten and played with, itās going to stick out like a sore thumb if she doesnāt like me.
Iām a little apprehensive as I call Kate the next day. āHow did I do?ā I ask.
āThis is a riot,ā she says. āThatās the same thing Liz asked when she called.ā
So I find myself on my way to the Pasadena Playhouse to see Edward VIII abdicate his throne for a woman from the East Coast. A musical. Lizās first cousin has the lead. This is my second date with Liz, but I still feel the pressure. A wrong turn, a misspoken word, a bodily function. (Why do mature people put themselves through this?) During our after-theater dinner, the conversation turns to movies. I say Iām dying to see such and such, and Liz says she is as well. āSure is simple when they like you,ā I think.
Liz and I go to the movies, and I decide while walking to the theater that I should try to hold her hand. Crossing the street will provide my best opportunity. (Hey, itās dangerous out there. Let me help you.) I reach out my hand and get nothing but air. Now what do I do? I have to get my hand back. But how? Suddenly, a car turns toward us. I turn my cupped hand into a flat hand, which I hold up to the driver, who has already stopped. I attempt to take Lizās hand twice more, to no avail. Then she tops off the non-hand-holding evening with a goodbye-forever hug at her front door.
I spend the next few weeks in the dating dugout concentrating on my kids, watching reruns of āCheers,ā surfing the Internet and getting into shape. Just when I think Iāve gotten over this thing called dating, I get a phone call from Marilyn. Do I remember Monica from the wedding? Was she the one to my left or right? Marilyn doesnāt have a clue. Was it patchouli or Sophia Loren? Older or younger? Richer or poorer? Taller or shorter? Full figured or slim? Weāre getting nowhere fast until Marilyn blurts out: āThis woman wants to go out with you.
Does it really matter which one she is? After all, itās just a date.ā I hear the thunderclap. Just a date. My enthusiasm is returning. Just a date. I like the sound of it. I tell Marilyn, āFine,ā and go off to my room to lay out my dating outfit, repeating my new mantra. āItās just a date. Itās just a date.ā