THE STUDIO report
Columbia/Sony/TriStar
“Cadillac Records,”
“Seven Pounds”
Disney
“Wall-E”
Focus Features
“Burn After Reading,”
“Milk”
Fox Searchlight
“The Secret Life of Bees,”
“Slumdog Millionaire,”
“The Wrestler”
IFC
“Che,”
“Hunger”
Lionsgate
“W.”
MGM/UA
“Valkyrie”
Miramax
“Doubt,”
“Happy-Go-Lucky”
New Line
“Sex and the City”
Oscilloscope
“Wendy and Lucy”
Overture Films
“Last Chance Harvey,”
“The Visitor”
Paramount
“The Curious Case of Benjamin Button,”
“Iron Man,”
“Tropic Thunder”
Paramount Vantage
“Defiance,”
“The Duchess,”
“Revolutionary Road”
Samuel Goldwyn Films
“Elegy”
Sony Pictures Classics
“The Class,”
“Frozen River,”
“I’ve Loved You So Long,”
“Rachel Getting Married,”
“Synecdoche, New York”
ThinkFilm
“Good”
20th Century Fox
“Australia”
Universal
“Changeling,”
“Flash of Genius,”
“Frost/Nixon,”
“Mamma Mia!”
Warner Bros.
“The Dark Knight,”
“Gran Torino”
Weinstein Co.
“The Reader,”
“Vicky Cristina Barcelona”
Yari Film
Group
“Nothing but the Truth”
-- Tom O’Neil
The biggest entertainment stories
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
You may occasionally receive promotional content from the Los Angeles Times.
