The 2010 Black List of screenplays
This year’s Top 10 Black List scripts:
49 votes: “College Republicans” by Wes Jones. Aspiring politician Karl Rove leads a dirty campaign for College Republican chairman under the guidance of Lee Atwater. Anonymous Content producing.
47 votes: “Jackie” by Noah Oppenheim. Jacqueline Kennedy’s life immediately after her husband’s assassination. Darren Aronofsky directing for Fox Searchlight.
45 votes: “All You Need Is Kill” by Dante Harper. A new army recruit in a war against aliens finds himself caught in a time loop. Set up at Warner Bros. Doug Liman may direct.
43 votes: “Safe House” by David Guggenheim. A young man at a CIA-run safe house must help a rogue ex-agent escape assassins. Universal Pictures to produce with Daniel Espinoza to direct. Ryan Reynolds and Denzel Washington to star.
39 votes: “Stoker” by Wentworth Miller. After the death of her father, a teenage girl must deal with a mysterious uncle. Fox Searchlight purchased the script.
32 votes: “999" by Matt Cook. A gang of crooked cops plans a major heist that requires them to shoot a fellow officer. Anonymous Content producing.
31 votes: “Margin Call” by J.C. Chandor. A fictional account of the final 24 hours of Lehman Brothers. Chandor has directed stars Kevin Spacey and Paul Bettany. Film will debut at Sundance Film Festival next month.
30 votes: “American Bull----" by Eric Warren Singer. The true story of the FBI’s 1980 undercover sting operation of Congress, dubbed Abscam, which was designed to root out corruption and was the brainchild of a con man. Sony Pictures has optioned the script.
28 votes: “Argo” by Chris Terrio. The true story of how the CIA, with help from Hollywood, used a fake movie project to smuggle hostages out of Tehran during the 1979 hostage crisis. Optioned by Warner Bros.
24 votes: “The Last Son of Isaac Lemay” by Greg Johnson. An aging outlaw, convinced that there’s evil in his genes, goes on a journey to kill his offspring. Gore Verbinski’s company producing.
For the complete list, visit latimes.com/24frames