Frank Sinatra
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Photos: ‘Sinatra: An American Icon’ at Grammy Museum in L.A.

Frank Sinatra

Mementos from fans are neatly displayed, including those from the fan club by the name of Bobbie Socks, at the Frank Sinatra exhibition at Grammy Museum in downtown L.A.

 

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

In the short film “The House I Live In,” Frank Sinatra lines up against racial oppression and religious intolerance. He won a special Oscar for the movie.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

This is a Frank Sinatra art studio, with several of his paintings. In the photo at left, he teaches his granddaughter, AJ, how to paint.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

A glimpse at just a few of the many awards earned by Frank Sinatra.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

Photos from different times in Frank Sinatra’s life glow from within.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

A photograph from 1945 of Frank Sinatra sits next to a photograph of his first wife, Nancy.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

Billie Holiday’s fox stole sits pretty along with a black-and-white photo of the female singer.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

Here we see the T-shirts worn by Frank Sinatra’s  grandchildren.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

This record was presented to daughter Nancy Sinatra to commemorate the sale of more than 1 million copies of the Reprise Record’s pop single record “Something Stupid,” which she sang with her father.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

An exhibit of the Rustic Cabin, left, where Frank Sinatra worked as a waiter and would sometimes sing. It is the place where musician Harry James heard young Sinatra sing in July 1939.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

In one case is the hat and pipe of Frank Sinatra’s pal Bing Crosby along with a metal acetate record.

 (Anne Cusack / Los Angeles Times)
Frank Sinatra

A trio of abums from Frank Sinatra’s Capitol Records days line the wall. 

 (Anne Cusack / Los Angeles Times)
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