Actress Aleksa Palladino and cinematographer Needham Smith III are seen at home in their 1960s condominium.(David McNew / For The Times)
The view from the kitchen of Aleksa Palladino and Needham Smith III’s condo offers views of downtown Los Angeles.(David McNew / For The Times)
Before: The kitchen was enclosed and cut off from the rest of the condo.(Courtesy of Needham Smith III)
The view from the entrance after the wall between the kitchen and hallways was taken down, and a door was installed in the second bedroom.(Courtesy of Needham Smith III)
The kitchen prior to demolition.(Hsu McCullough)
After the wall between the kitchen and hallway was removed, a concrete beam was exposed, opening up the entire space.(Courtesy of Needham Smith III)
Hsu McCullough architects elevated the kitchen to hide a new gas line and ventilation system. The gas line was originally in the wall, but it was moved to create a more open kitchen. The couple chose dark cabinets to temper relfections from from downtown Los Angeles. The barstools are from Wayfair.(David McNew / For The Times)
Moving the kitchen to the center of the living room opened up the entire condo.(David McNew / For The Times)
The kitchen countertop, backsplash and island feature three slabs of “Bianco Cervaoile” marble from Ollin Stone in Anaheim.
(David McNew / For The Times)
Before: The view when you walked in the door.(TK)
The corridor entry moment is now all about the views.(David McNew / For The Times)
The second bedroom serves as a music room.
(David McNew / For The Times)
The windows in the second bedroom offer further views upon entrance to the condo.(David McNew / For The Times)
Before: The entrance to the condo was dark and enclosed.(TK)
Before: The wall of the original kitchen is on the right and the doors to the second bedroom are on the left.(Hsu McCullough)
European “Character” oak floors with custom finish were installed on top of a sound isolation underlayment for floor sound dampening: “ISOLayment QT” manufactured by Kinetics. “I like oak with concrete,” said architect Chris McCullough. “The combination has a Japanese feel."(David McNew / For The Times)
Before: The view from the living room.(Courtesy of Needham Smith III)
The living room offers views of downtown Los Angeles.(David McNew / For The Times)
Before: The living room featured wall-to-wall carpeting and access to the second bedroom.(Hsu McCullough)
The balcony of the condo serves as a cozy al fresco dining room.(David McNew / For The Times)
A wraparound balcony extends the footprint of the 1,000-square-foot condo.(David McNew / For The Times)
The bathroom and closet in the master bedroom before.(Courtesy of Hsu McCullough)
Before: The master bathroom and closets.(Courtesy of Needham Smith III)
The new bathroom.(David McNew / For The Times)
The new master bathroom.(David McNew / For The Times)
Actress Aleksa Palladino and cinematographer Needham Smith III have worked on TV shows and movies (she on “Boardwalk Empire,” he on next month’s “68 Kill”). But the couple’s most cherished cinematic moment arrives daily at dawn when they watch the sunrise from their kitchen outside DTLA.
“There is something about being elevated,” says Palladino of the high-rise condominium. “The clouds are different. The air is different. The light coming through the clouds is different. It’s like living in a watercolor painting. It takes my breath away.”
The couple toured the 1960s-era corner unit a few years ago after looking at another open house nearby.
The condo was well kept but dated, with wall-to-wall carpeting, compartmentalized rooms, and an enclosed U-shaped kitchen.
They toured the two-bedroom, two-bath 1,067-square foot condo on a whim, but left inspired to make an offer.
“We walked in, looked at the amazing views, looked at each other and said, ‘We can live here with some work,’” recalled Palladino. “It was exciting,” added Smith. “We felt like, ‘We can both do this.’”
The couple met Los Angeles architects Peggy Hsu and Chris McCullough of Hsu McCullough through friends and began the process of opening up the floor plan to capitalize on the breathtaking views.
For McCullough, the question of how to transform the dated 1960s interiors to a “moody country meets midcentury modern” home, as he describes it, was simple.
“Our immediate first impression was that the kitchen had to be open to the entire living space,” he says.
So they removed the walls that separated the kitchen from the entryway corridor and living room, which instantly added more square feet. And when they discovered a concrete load bearing column during demolition, they left it exposed, giving the room a completely different, loft-like feel.
Now, when you walk in the door, the Los Angeles skyline is the first thing you see.
In order to move the gas line, which had been located in the kitchen wall, the architects installed the kitchen on a raised platform. This allowed them to hide the gas line underneath the plinth and move the cooking range to a custom marble island that faces the living room.
The benefits of elevating the kitchen were immediate.
“They raised the kitchen for technical reasons,” says Smith. “But it gave us a clear shot of the view. It raises us up and puts our eyes over the balcony’s guard railing.”
The couple took the lead on other aspects of the remodel, choosing dark kitchen cabinets, white and gray marble for the countertop, backsplash and island and oak wood floors in a custom finish.
When friends come over today, the couple, who love to cook, can entertain and socialize while enjoying the views.
Palladino admits they never grow tired of observing the always-changing California landscape from the walls of glass that enclose the room.
“I love the early mornings the most,” she says. “It’s really special. The view connects you to where you are living. We like seeing the change in the day-to-day. It’s made me love the city even more than I did before.”
Before and after: A small, dated ’60s condo gets a modern update
The kitchen before
Before the remodel, the kitchen was enclosed and cut off from the rest of the condo. “There was nothing worth saving except the existing windows and doors,” said architect Chris McCullough.
The wall between the kitchen and the entry was removed, revealing a load-bearing concrete column.
The kitchen now
The marble island serves as a cooking area and dining room. The condo originally had a breakfast nook, but the couple wanted a larger kitchen with an informal feel. “The outdoor café bistro table on the balcony is perfect for Southern California living,” said McCullough. “The patio is covered and comfortable.”
The entrance before
Before the remodel, you entered a corridor with a view of the second bedroom wall.
After doing some exploratory demolition, the architects took down the walls that separated the corridor from the U-shaped kitchen. They also enlarged the door to the second bedroom and installed see-through glass doors.
The entry today
Now when you enter the condo, you can see downtown Los Angeles from the living room and second bedroom. “Before, it was a corridor entry moment rather than a Southern California moment,” says McCullough. “Opening the rooms to natural light and openness is how we live now.”
Oak floors installed over a sound dampening system add warmth. “I like the combination of oak with concrete,” said McCullough. “It has a Japanese feel.”
The architects also removed the drywall from the opposite wall, at left, and left the concrete wall exposed.
The view before
The couple walked into the dated condo and fell for the view.
The view from the kitchen today
Today, the kitchen is meant to serve multiple functions. It is a place for cooking and dining as well as the perfect niche to accommodate guests. And don’t forget the view. “It is unrivaled,” said McCullough. “I’d like to live there.”
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