Charles McNulty is the theater critic of the Los Angeles Times. He received his doctorate in dramaturgy and dramatic criticism from the Yale School of Drama. McNulty has taught at Yale, the New School, New York University, the City University of New York Graduate Center, UCLA and the California Institute of the Arts. McNulty, who got his theatrical start as a literary intern at the New York Public Theater in the days of Joseph Papp, is a former Village Voice theater critic and editor. He was the chairman of the Pulitzer drama jury in 2010. He received the George Jean Nathan Award for Dramatic Criticism for the theater year 2009-10 and was awarded the top prize for feature writing from the Society for Features Journalism in 2011.
Latest From This Author
In 2023, the theater lost many notables with long careers, including Michael Gambon, Frances Sternhagen, Glenda Jackson, Barry Humphries and Michael Blakemore. Praising those we lost makes the remembrance dear.
Dec. 20, 2023
With Aubrey Plaza, John Turturro and Dianne Wiest on its stages, new musicals from Alicia Keys and Stephen Sondheim and critically hailed new plays by Annie Baker and David Adjmi, downtown upstaged midtown.
Dec. 15, 2023
David Hyde Pierce is in the cast of “Here We Are,” Stephen Sondheim’s final musical, at the Shed in New York.
Dec. 11, 2023
Matthew Broderick stars in a new adaptation of Sinclair Lewis’ 1922 satiric novel ‘Babbitt’ in a production at La Jolla Playhouse directed by artistic director Christopher Ashley.
Dec. 5, 2023
Alex Edelman’s ‘Just for Us,’ the genius of Stephen Sondheim and a Tony Award for the Pasadena Playhouse were among the highlights of Los Angeles theater in 2023.
Dec. 4, 2023
The world premiere of ‘Hell’s Kitchen,’ the semi-autobiographical musical by Alicia Keys, features a book by Kristoffer Diaz and sublime vocals by a cast that re-interprets some of Keys’ biggest hits.
Nov. 29, 2023
Aubrey Plaza, fresh off her ‘White Lotus’ success, makes her stage debut off-Broadway in John Patrick Shanley’s ‘Danny and the Deep Blue Sea,’ starring opposite Christopher Abbott.
Nov. 28, 2023
Watching and loving Jocelyn Bioh’s Broadway play “Jaja’s African Hair Braiding” from the couch, and more in this week’s Essential Arts newsletter.
Nov. 18, 2023
Nikkole Salter’s “Lines in the Dust” at the Matrix Theater looks at the issue of school residency fraud and what it says about the state of public education in America.
Nov. 14, 2023
Comedian Alex Edelman brings his acclaimed Broadway show, in which he muses on Jewish identity, empathy and how he came to hang out with a group of white nationalists, to the Mark Taper Forum.
Nov. 13, 2023