Latest From This Author
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Theater has suffered from placelessness in the digital era. Mark O’Rowe’s “The Approach” roots us somewhere theatrically real.
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Same stage, different script: For a theater critic watching President Biden’s inauguration, the most notable part of the performance is its humility.
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The nation’s overlapping crises have sparked the notion that audiences want to be uplifted, more than anything else. I disagree.
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Pasadena Playhouse streams “You I Like: A Musical Celebration of Jerry Herman,” in which paying tribute to the Broadway composer proves harder than it might seem.
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Which companies will thrive when the theaters reopen after the pandemic? Those that are independent, flexible and artist-driven.
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J-L Cauvin, a full-time lawyer who became a social media sensation as an impersonator, has plans for comedy after the Donald leaves the White House.
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Illusionist and performer Helder Guimarães follows up his Geffen Playhouse pandemic hit ‘The Present’ with new tricks and a new story in ‘The Future.’
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This was the year that streaming versions of “Hamilton,” “What the Constitution Means to Me” and “Ma Rainey” proved stage stories can shine on-screen.
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“West Side Story,” “Hamilton,” Laura Linney, Andrew Scott and “What the Constitution Means to Me,” the last of which gave us two reasons to applaud.
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Ryan Murphy’s adaptation of the Broadway musical ‘The Prom’ brings James Corden, Nicole Kidman, Kerry Washington and Keegan-Michael Key to the dance.
