Latest From This Author
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The COVID-19 shutdown spurs the creation of Alternative Theatre Los Angeles, whose virtual festival runs for three weekends.
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COVID-19 prompted Sacred Fools to close a production about a Catholic girls’ school performance of “Antigone.” Now the play is getting new life.
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Ding-dong. “Hello!” “The Book of Mormon” is back in Los Angeles. Is the cast good? And how are those Uganda jokes landing?
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Pasadena theater group A Noise Within grapples with Shakespeare’s “The Winter’s Tale.” The show is admirable, but the Bard’s romance genre perplexes.
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Chance Theater takes on the Tony-winning musical version of Alison Bechdel’s memoir about a daughter who tries to connect with her walled-off father.
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The waking nightmare of American journalism is given bleakly humorous expression in Playwrights’ Arena’s staging of Steven Leigh Morris’ new “Red Ink.”
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“Volta,” the Cirque du Soleil show at Dodger Stadium, enters the thrill-seeking realm of BMX while delivering a message about being unique.
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Broadway is buzzing over a 6 1/2-hour tale of gay men connecting across generations. Playwright Matthew Lopez talks about trailblazers, starting with E.M. Forster.
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Our weekly look at SoCal stages includes “Hard Way Home” by Cal Rep, “Curious Incident” by Greenway Arts, “Waiting for Waiting for Godot” by Sacred Fools and “Wrong Kind of People” by Robey.
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Tim Robbins directs and acts in an adaptation of George Orwell’s novel that makes us, like the trapped hero Winston Smith, feel the walls close in.
