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Zach Braff’s ‘A Good Person’ takes some melodramatic turns that can be forgiven, thanks to Florence Pugh and Morgan Freeman’s stellar performances.
The “9 to 5,” “Grace and Frankie,” “80 for Brady” duo team up in Paul Weitz’s amusing and bittersweet comedy-drama about a woman with murder on her mind.
A new adaptation of Mozart’s opera ‘The Magic Flute’ capably melds reality and fantasy in an often stirring musical journey.
An excellent Radha Mitchell, Mia Wasikowska and Eric Bana head the cast of Robert Connolly’s beautifully shot mother-daughter tale “Blueback.”
The star leads a strong cast, including George Ferrier, in writer-director Matthew J. Saville’s pedestrian feature debut, in which crabbiness meets angst.
“88,” directed by Eromose and starring Brandon Victor Dixon, Thomas Sadoski and Orlando Jones, evokes “The Parallax View” and “All the President’s Men” but takes on more than it can handle.
A dramedy from Israeli filmmaker Eran Kolirin (‘The Band’s Visit’), ‘Let It Be Morning’ offers a timely snapshot of Israeli-Palestinian relations.
Pierfrancesco Favino’s sensitive portrayal of a middle-aged man returning to Naples after decades away anchors director Mario Martone’s absorbing, finely tuned drama “Nostalgia.”
Philippe Le Guay’s “The Man in the Basement” effectively infuses the tenant-from-hell genre with deeper meaning via a Holocaust denier and conspiracy theorist.
Multitasking filmmaker Matt Carter’s ‘In From the Side’ brings a lusty love story to the rugby pitch but fails to make the central relationship worth caring about.
