Jeffrey Fleishman is foreign and national editor at the Los Angeles Times. Previously, he was a senior writer on film, art and culture. A 2002 Nieman fellow at Harvard University, Fleishman was a Pulitzer Prize finalist in feature writing. A longtime foreign correspondent, he served as bureau chief for The Times in Cairo and Berlin, and was previously based in Rome for the Philadelphia Inquirer. He has been a finalist for the Goldsmith Prize for Investigative Reporting and a finalist for the Center for Public Integrity’s Award for Outstanding International Investigative Reporting. He is the author of three novels: “My Detective,” “Shadow Man” and “Promised Virgins: A Novel of Jihad.”
Latest From This Author
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Hosni Mubarak for decades kept a cold peace with Israel and crushed political dissent at home until a 2011 protest movement drove him from power.
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The generational divide went beyond ‘OK boomer’ memes in 2019. From Greta Thunberg and the sisters of ‘Frozen 2' admonishing their elders for climate change damage to Billie Eilish’s subversive jolt to pop music and Martin Scorsese’s complaints about Marvel movies, it has been a year of skirmishes between young and old.
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Whether you love him or despise him in this time of impeachment, Donald Trump is our man in full, our seared-in, un-swipeable screenshot.
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Aleshea Harris is part of a vanguard of young, African American playwrights boring into questions of race and history through humor, drama, absurdity and tragedy.
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Martin Scorsese, director cinéfilo de ‘The Irishman’, ha pasado gran parte de su vida investigando corazones oscuros y examinando las vías de violencia, poder y codicia.
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Martin Scorsese, cinephile director of ‘The Irishman,’ has spent much of his life looking into dark hearts and examining the avenues of violence, power and greed.
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Perspective: Marie Yovanovitch, William Taylor and other career diplomats, quiet and dignified, have become stars during the impeachment hearings.
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From “Taxi Driver” to “The Irishman,” Martin Scorsese has created indelible films for the American imagination. He’s not done just yet.
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We are a world of migrants, a planet of comings and goings.
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Flawed heroes, dark angels and dashed dreams: Why L.A. and noir are synonymous