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Kenneth Branagh returns as Hercule Poirot, with Tina Fey and Michelle Yeoh in tow, for a spookily atmospheric reimagining of Agatha Christie’s “Hallowe’en Party.”
With the release of ‘A Haunting in Venice,’ two Christie obsessives weigh in on the enduring appeal of an author who’s been outsold only by the Bible and Shakespeare.
Chilean director Sebastián Silva plays himself, as does comedian-influencer Jordan Firstman, in this riotous saga of sex, death and social media.
Pablo Larraín’s beautiful if faintly anemic horror-satire reimagines the Chilean dictator Augusto Pinochet as a world-weary 250-year-old bloodsucker.
We came, we saw, we watched some more: Here are the movies that impressed us most at Telluride, from world premieres to show-stoppers out of Cannes and Berlin.
Critic Justin Chang and columnist Glenn Whipp weigh in with their favorite (and least favorite) films at the festival’s robustly packed 50th-anniversary edition.
Buzzy new movies starring Annette Bening and Colman Domingo began their awards campaigns at Telluride, but with their actors absent due to the SAG-AFTRA strike.
Premiering at Venice and Telluride, Yorgos Lanthimos’ ‘Poor Things’ and Pablo Larraín’s ‘El Conde’ find their filmmakers revisiting old terrain with rewarding results.
Two films by British directors — Andrew Haigh’s metaphysical gay romance ‘All of Us Strangers’ and Emerald Fennell’s ‘Saltburn’ — debuted the same night.
From Hollywood big shots like Martin Scorsese and Ridley Scott to our favorite indie provocateurs, here are the 20 films we’re most thrilled to line up for.
