World & Nation

In Italy prisons, conditions are poor, but theater is thriving

In Italy prisons, conditions are poor, but theater is thriving
Italian film director Matteo Garrone, shown in 2008, cast a convicted Naples hit man in the lead role of his most recent movie, “Reality.”
(Michael Robinson Chavez / Los Angeles Times)

ROME — “For our next play, it’s either Xenophon, Aristophanes or 17th century French comedy — and I would like some opinions,” said the director to his troupe.

The actors sitting around a theater in Rome had just settled in to discuss future projects — and to mull over how the last production they participated in became a film that had narrowly missed out on being an Oscar nominee.


Keeping an eye on proceedings was a guard, since every performer was a convicted mobster or drug trafficker and the theater was in Rome’s high-security Rebibbia prison.

The inmates are part of an extraordinary reservoir of acting talent in Italian prisons — 110 theater groups have sprung up behind bars — which has overshadowed the country’s professional thespians even as prison conditions plummet amid overcrowding and underfunding.


“Italy leads Europe in prison theater, and without it the situation in jails here would be much worse,” said Carmelo Cantone, the head of prisons in the Italian region of Tuscany.

Film director Matteo Garrone used real-life Naples gangsters in his acclaimed 2008 mafia drama, “Gomorrah.” Then he went further, casting Aniello Arena, a former Naples hit man doing life in a Tuscan prison, in his film “Reality,” a lead role that won rave reviews at Cannes last year.

At Rebibbia, theater director Fabio Cavalli has pulled in 30,000 spectators since 2006 to watch plays staged by three theater groups he runs.

“That makes the prison one of Rome’s top 10 theaters,” said the former actor, who was first asked to direct inmates in plays a decade ago.


Cavalli’s rehearsals for and production of Shakespeare’s “Julius Caesar,” using convicts from the prison’s high-security organized crime wing, were the basis for “Caesar Must Die,” directed by Paolo and Vittorio Taviani, which won the Golden Bear award at the 2012 Berlin International Film Festival. The film was Italy’s candidate for the foreign-language Oscar this year, but failed to make the short list. It’s scheduled for release in Los Angeles on Feb. 22.

For Cavalli, who appears in the film, not a whole lot separates the violent gangsters he works with from professional actors.

“Convicts in the high-security wing, who hail from the Neapolitan Camorra, Sicilian Cosa Nostra, Calabrian ‘Ndrangheta and other clans, may not be cultured, but they are intelligent, have something to say and have great memories, leadership and powers of seduction,” said Cavalli. “So it is like working with professional actors.”

If Cavalli is extracting acting gold at Rebibbia, he believes that he is also giving something back.


“On average, 65% of Italian prisoners go back to committing crimes after their release, but for those who have acted in jail, it’s nearly zero,” he said.

That does not mean they can put their past behind them. One extra from “Caesar Must Die,” a Neapolitan camorrista, was shot dead after his release last summer.

Before the first meeting of the inmates in late January to pick their next play in the wake of the success of “Caesar Must Die,” Cavalli confided that tension in the group had risen.

“People lost their heads a bit thanks to the film’s success. Then some actors were transferred to other jails, including lead actor Cosimo Rega, and there has been a reshuffling of leadership in the acting group, which has a consequential effect on the hierarchy in the jail itself,” said Cavalli.

When the meeting kicked off, Cavalli sought to relax his stars by having them discuss their approach to acting. Many played down the idea that brash mobsters automatically make great actors.

“It’s more a Neapolitan thing. Stepping into a role comes naturally for Neapolitans,” said Giacomo Silvano, 40, one of the many Naples camorristi in the group, who was dressed fashionably in white jeans and blue polo neck, bore a passing resemblance to Richard Gere, and had the steady, unnerving stare typical of mafia members.

“It’s simple,” added Antonio Frasca, 33, also a Neapolitan, who is in his eighth year of a 26-year sentence for mafia crimes. “We are good because some of us have now been doing it in jail for years.”

Silvano also cited the deprived upbringing of many of the inmates and their long years behind bars as sources of inspiration. “People asked if we made the murder of Julius Caesar convincing because we’d killed people ourselves, but it is actually down to the suffering we have experienced,” he said.

Ten years after Cavalli set to work, Rebibbia now boasts Italy’s biggest prison theater program, including a group of otherwise isolated sex offenders, police informers and corrupt police officers.

In January, the European Union condemned overcrowded conditions in Italy that have included three convicts packed into one-man cells at some prisons, the legs of their bunks sawed down so they could be triple-stacked. More than 700 inmates have committed suicide since 2000.

To keep them busy, prisoners are now offered a wide range of cultural activities, including restoring ancient Roman ceramics dug up near Rebibbia and cooking at the in-house restaurant open to the public at Volterra prison in Tuscany, which uses guest chefs from Michelin-starred restaurants.

“Theater is the most visible because it draws the crowds,” said Assunta Borzacchiello, a spokeswoman for the Italian prison system. “It started in the 1980s and has multiplied since, with the encouragement of governors, because it gets prisoners feeling involved.”

One of Italy’s oldest theater programs, which launched in 1988, is at Volterra, where “Gomorrah” director Garrone was electrified by Arena’s acting talent. Arena is serving a 20-years-to-life sentence he received after he joined a five-man Naples mafia hit squad in 1991 that killed three rival clan members in a drug dispute.

After filming Garrone’s “Reality” while on day release from Volterra, Arena impressed critics, who likened him to Robert De Niro, and he has received offers for more film parts. With the possibility of being moved to house arrest in a year, Arena said he might nonetheless stay close to Volterra to carry on working with Armando Punzo, the director who set up the prison’s theater program.

“Acting has taken the blinders off me,” he said. “Now I am always thinking about why people react in certain ways.”

Like other Italian convict-actors, Arena lists De Niro among his favorite actors. He also names “The Shawshank Redemption,” the 1994 prison escape story starring Tim Robbins, as one of his favorite movies.

“That’s not because Robbins escapes from jail in the film,” he said, “but because he sets up the library at the jail. He fights for culture, just like Armando Punzo has done at Volterra.”

Kington is a special correspondent.