THE WORKING MAN IS BATTERED and bruised, celebrated and misunderstood. He is stoic and brash. He counts his hours and logs his years. He is the best and worst of us, as willing to walk into a coal mine as onto a battlefield. He endures until he breaks or accepts that the promises of manhood glimmered brighter when he was a boy.
The question now is how will Hollywood depict this working man — and working woman — in a culturally divisive era? What are the new narratives in a changing economy and racial strains driven by identity politics? Donald Trump’s election has refocused attention, much like the fall of the U.S. steel industry in the 1970s, on disillusioned and bitter parts of the country shaken by financial decline, foreign competition and addiction.