THERE WAS A LOT OF SOUL-SEARCHING in the weeks following Donald Trump’s election, especially among those who fill our various screens with news and entertainment.
Accusations of elitism and bias among the news media quickly spilled over to Hollywood.
Long considered a bastion of pathological progressiveness and wanton liberalism (Remember the blacklist? The one not starring James Spader?), film and television were accused of obsessing too much about things like transgender rights and how many black actors got Oscar nominations and not enough worrying about the concerns of “real Americans”: Rust Belt unemployment, devotion to guns, fear of porous borders, disillusionment with government, feelings of personal alienation and a general sense of a world run amok.