Oliver Knussen, an influential British composer and conductor who gained renown as a teenage prodigy, adapted the Maurice Sendak picture book “Where the Wild Things Are” into a hit opera and became an ardent champion of new music, died July 9 at his home in Snape, England. He was 66.
His publisher, Faber Music, announced the death but did not give a cause.
Knussen was a literal and figurative giant of contemporary music. A towering and lumbering bear of a man, he was known for his meticulous compositions and his conducting of groups including the London Sinfonietta, BBC Symphony Orchestra and Chamber Music Society of Lincoln Center. He also became head of contemporary music at the Tanglewood Music Center in western Massachusetts, among other prestigious positions.
When granting Knussen an honorary doctorate earlier this month, Britain’s Royal Academy of Music declared, “There is no composer more refined in technique and imagination, no conductor more precise and fastidious, no mentor more generous, and no one who understands the repertoires of new music better.” It went on to call Knussen, a professor at the school, one of the “nation’s greatest cultural treasures.”
In 1968, Knussen was touted as a boy wonder when he conducted his First Symphony with the London Symphony Orchestra, where his father was the principal bassist and the conductor had taken ill. He was 15.
“It sounds ridiculous, I know, but I’ve been writing music for more than 10 years,” he told United Press International that year, before conducting his symphony at Carnegie Hall. “Inevitably, some will think I’m a bit of a freak, but I don’t. I just started earlier than most composers, that’s all.”
Drawing from modernists such as Igor Stravinsky, Knussen developed a highly individual style that seemed to emphasize concision above all else. He was known to spend years on his compositions, blowing past deadlines but delivering pieces that — despite rarely running more than 20 minutes — made him one of the most celebrated British composers since Benjamin Britten, an early mentor.
In addition to his three symphonies, all completed before he was 30, Knussen wrote chamber works and popular concertos for horn and violin. He also recorded more than 50 albums that aimed to spotlight composers he believed were woefully underappreciated, including Magnus Lindberg, Toru Takemitsu and Modest Mussorgsky. But he was probably best known for his collaborations with Sendak, whose works he discovered in his 20s at a bookshop near Tanglewood.
In a 2005 interview with the San Francisco Chronicle, Knussen recalled that the children’s writer and illustrator introduced himself in an unexpected phone call, saying, “This is Maurice Sendak. Can we just start by me asking you what you think is the best children’s opera ever written?”
“I said, ‘The second act of “Boris Godunov.”’ He said, ‘Right answer,’ and from that point on we became very close.”
With sets and a libretto by Sendak, “Where the Wild Things Are” premiered in Brussels in 1980. The production was a disaster, with a malfunctioning dry-ice machine, overheated costumes and an unfinished score that Knussen continued tweaking for an additional four years. In its polished form, however, the opera proved a success, capturing the whimsy of Sendak’s tale of a boy who is sent to bed without dinner, sails to a faraway land and generates a “wild rumpus” with a group of horned beasts.
Stuart Oliver Knussen was born in Glasgow on June 12, 1952. Raised in London, he was immersed in music from a young age, surrounded by performers who dined and sometimes boarded with the family. Though an average piano player (by his standards, at least), he began composing as soon as he could read sheet music.
“It never occurred to me that not everybody thought it was the most important thing in life,” he told the Guardian in 2012.