Monster Mash: Alan Cumming leaves ‘Spider-Man’; Babani’s sweet success; diva undaunted by volcano
This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts.
Goodbye, Green Goblin: Alan Cumming has withdrawn from the long-delayed Broadway musical ‘Spider-Man: Turn Off the Dark’ because of scheduling conflicts -- the same reason that prompted actress Evan Rachel Wood to leave the show in March. (Entertainment Weekly)
On a roll: David Babani has turned London’s Menier Chocolate Factory into a theater hotspot, sending eight productions to the West End and three to Broadway -- including this season’s ‘A Little Night Music’ with Angela Lansbury and Catherine Zeta-Jones and ‘La Cage Aux Folles,’ which just opened with Kelsey Grammer and Douglas Hodge. (Los Angeles Times)
The show must go on: Ash from the Icelandic volcano is wreaking havoc on Europe’s arts world, stranding performers such as Polish soprano Aleksandra Kurzak, who took a 19-hour cab ride from Warsaw to London so she could make the curtain for her appearance in Rossini’s ‘Il Turco in Italia’ at the Royal Opera House. (Bloomberg)
Foreign relations: Claiming politics are at play, Iran has demanded the British Museum to pay $300,000 in compensation after the museum delayed a loan to a Tehran exhibition of the 2,500-year-old Cyrus Cylinder -- a tablet considered to be the first declaration of human rights. (Daily Telegraph)
Dunes dispute: A court has struck down a building permit for a mansion being constructed next to a Cape Cod cottage once owned by Edward Hopper, preserving -- at least for now -- the celebrated view from the artist’s studio window. (Boston Globe)
Also in the Los Angeles Times: Music critic Mark Swed attends recitals by Cameron Carpenter and Paul Jacobs -- two very different organists; it looks as if Steven Spielberg may not have needed to give up a Norman Rockwell painting that the FBI had listed as stolen; for Ring Festival LA, USC Thornton Opera is staging Wagner’s obscure second opera, ‘Das Liebesverbot.’
-- Karen Wada