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Opinion: Happy Feet? Sadly not

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Just when you think you know Opinion L.A.’s beat, here’s evidence that even the muse Terpsichore falls within our purview. This week’s featured reader response is a dissent from an L.A. Times dance review:

Dear Editor,After reading through Lewis Segal’s critique of the incredible Terracotta Warriors performance at the Kodak Theatre, (Sat. Jan. 27 edition L.A. Times) I feel compelled to reply.This is the 2nd production I have seen by this incredible company of Dr. Dennis Law, author, producer. It featured 80 performers, 350 costumes, and was indeed an historical account of what may have happened over 2000 years ago. The audience loved it. How is it that Mr. Segal is so narrow minded that he criticizes that it does not fit the stereotype Broadway show (of which I have seen almost all) with plot and character development? And why does he say it needs to be more poignant with political crossover for today’s age? (As an intelligent audience, we could figure that out easily.)I don’t think Mr. Segal realizes what Dr. Law is trying to accomplish in his 7 magnificent productions. Why can’t we see a lavish production, learn some history, and just be entertained? Why can’t there be 23 scenes with warriors, or dancers? And the two 6 year old little boys he said ‘distracted’ from the ‘plot’ instead, added a great deal of audience interest. Doesn’t Mr. Segal remember the Siegfield Follies during the depression years? Those performances were much less ‘historical’ and had no ‘serious message’ to communicate, yet were much needed and appreciated by audiences everywhere.The Terracotta Warriors was magnificently presented, and should be seen by all. (There is a wide range of ticket prices). The only thing the Kodak Theatre should have provided is screens with the English Dubbing of the plot about 10 feet higher, so all could see. The production company should have a special musical sound to alert the audience to look at the screen to read the plot as it developed. )Hopefully, more of these productions will come to the Los Angeles area, and other reviewers will be more open-minded, thus encouraging, rather than discouraging, people to attend.Sincerely,Carole RubottomMusic Education Consultant

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