Advertisement

Raymond Buckey Portrait: A Feckless Public Target : Magazines: What emerges in an interview is a picture of a timid, lazy man whose chief ambition is to slip through life.

Share
TIMES STAFF WRITER

Raymond Buckey, the only remaining defendant in the McMartin Preschool child abuse case, is spilling his guts. But in his first, extensive print interview since a jury acquitted Buckey and his mother on 52 charges of child molestation, he portrays himself as a victim, rather than a criminal.

Skeptics are likely to read the long interview in the April Los Angeles magazine with a suspicious sneer, as Buckey, who still faces trial on eight counts, systematically seeks to establish a sympathetic view of himself:

He once volunteered at a nursing home but quit because “I’m not cold-blooded enough to block all that stuff out. I couldn’t stand to see people suffer.”

Advertisement

He decided to get involved in the preschool because it was “a very happy, uplifting atmosphere to be in.”

He was protective of the children--”I would not let a child hurt himself or another child or any of the pets.”

In all likelihood, though, even skeptics will feel a pang of chagrin at how little they knew about this man about whom everyone has a definite opinion.

Journalist Mary A. Fischer interviewed Buckey for five hours, then edited 160 pages of transcripts into a continuous tale, interspersed with a chronology of events.

What emerges is a portrait of a timid, lazy man who enjoyed volleyball, rock climbing and running, but whose chief ambition is to slip through life with as little fuss as possible.

Those characteristics dictated his sexual activity, as well. “I won’t put myself on the line emotionally,” he said. Buckey’s upbringing taught him that sexual assertiveness is immoral. “The notion of what makes a man is all mixed up in our society. . . . Sex is something very special, and you don’t do it with somebody you meet for the first time or when there’s no emotion.”

Advertisement

Then, with no apparent irony, he goes on to explain his first sexual encounter. “We decided to rent a room at the Fantasy Inn. It had a heart-shaped Jacuzzi next to a round water bed with mirrors on the ceiling and pumped-in adult movies. I saw her as beautiful, and the experience was very special.”

Even with such pathetic images, Buckey--who also gave a long interview to television’s “60 Minutes”--manages to paint himself as a man deserving of justice, if not respect. The McMartin case fired up public emotions because it was framed as a classic example of bullies against innocents.

If it turns out that Buckey is innocent, as Fischer believes he is, most Angelenos may have to concede that they, implicitly, joined the forces of conventional wisdom in abusing a weak, unsympathetic target.

Buckey thinks the jurors who did not vote for acquittal on the last 13 counts were convinced that “Where there’s smoke there’s fire,” or simply didn’t like him. “I can’t do anything about it if they think my eyes are too squinty,” he said.

As for his future, Buckey remains unambitious: “I want to get out of this crazy metropolis, which seems to breed ill will toward the brotherhood of man. . . . “

In a few years, he predicts he will be forgotten. He’ll go on with the simple--some would say sad--life he describes before the trial. “I never had much of a reputation to lose in the first place.”

Advertisement

READ ALL ABOUT IT

For the third year, Money magazine asked 50 professional tax preparers to file a return for a hypothetical family with a $132,000 annual income. Only two preparers didn’t make a mistake. No two came up with the same figure. Their fees ranged from $271 to $4,000, and the amount of the family’s money they were ready to fork over to the IRS ranged from $9,806 to $21,216.

A Biftad is a preppy (from “Say, Biff!” “Yes, Tad!”). A buzz crusher is a killjoy. Dippin’ is eavesdropping. Duckets is money. To gel is to relax and to woof is to brag. Paul Dickson’s guide to teen-ager slang in the March Washingtonian catalogues a vibrant patois to which burnt digithead language johnnys such as William Safire remain clue-less.

Who in Southern California hasn’t been wounded--directly or indirectly--by an automobile accident? Kathleen Neumeyer’s “Anatomy of an Accident,” in the March Los Angeles magazine, goes beyond the banality of this daily occurrence into the lives of those affected by one wreck.

Author Charles Bowdin writes an engaging if unobjective profile of Earth First!’s Dave Foreman and other monkey-wrenching eco-saboteurs in the March-April Buzzworm magazine, a Boulder, Colo.-based environmental journal with beautiful photographs and an editorial edge.

While Gorbymania builds, the March World Press Review asks the ominous question on everyone’s mind: “Can He Last?” The answers from the British, Australian, German and French press go deeper than yes-no simplifications, but are vaguely optimistic.

Novelist William Kennedy provides inspiring insight into his craft in the current Paris Review. He recalls, for instance, a conversation with novelist Saul Bellow, who described the attributes required of a writer: “You must have some kind of talent. But after that, it’s character.”

Advertisement

“I was left for the rest of my life to decide what he meant that night,” Kennedy says.

SHREDDERS

Where’s Sean Penn when she needs him? In the April Vanity Fair, photographer Helmut Newton focuses on Madonna. To say his lens demystifies the ‘80s icon is an understatement. Despite the bare breast she flashes, it’s hard to visualize her as a sex symbol. The photos are probably calculated to illustrate an underlying theme in the adoring profile that accompanies them--the notion that Madonna is unflinchingly honest. “I’m not hiding anything, that may explain my longevity,” she says. But a pop psychologist might suggest that the unflattering photos reveal a sort of career-death wish.

Video Review magazine asked an odd assortment of people to predict what will happen with video in the ‘90s. Paula Abdul thinks everyone will start making musicals; Mike Tyson thinks boxers will pick up pointers from old pros via video; Maury Povich is pleased that grieving families give his crews family videos; Hugh Hefner thinks consumers will demand more provocative programs; and Jim Lehrer thinks it will keep tyrants on their toes. But none of the more than two dozen talking heads says anything new.

NEW ON NEWSSTANDS

Design Spirit is a nicely produced, Brooklyn, N.Y.-based publication dedicated to “the heartwarming, soul-satisfying activities of people who are tackling, through art and design . . . problems related to our deteriorated physical environment and disintegrating social fabric.” An odd blend of fuzzy New Ageism and down-to-earth environmental design.

Advertisement