M. E. Warren’s Picks

“Broadway Backstage,” Backstage Theatre: This behind-the-scenes musical pastiche was living proof that less is more. A dressing-room melodrama told with admirable economy and a delectable flavoring of tongue-in-cheek, “Broadway Backstage” showcased a septet of confident, enjoyable performances.

“King Lear,” Orange Coast College: This production was illuminated by Jon V. Sidoli’s majestic presence and resonant sensibilities as Lear, a role legendary for its physical and vocal demands. Sidoli’s performance ran like a powerful vein of gold through this mountainous tragedy, in a commendable production directed by Alex Golson.

“Crimes of the Heart,” Cal State Fullerton: Beth Henley’s Gothic comedy of three eccentric Southern sisters was staged with affection and breathless energy. Jeani Finnerty made a particularly charming Babe, big-eyed and big-hearted.

“The Boyfriend,” Cal State Fullerton: Director Dean Hess triumphed with his cartoon-bright, highly stylized production of this extravagant, dancing spoof. Sydney Forest’s first-rate performance led a company of happy hoofers like so many sparklers through this lighter-than-air theatrical meringue.

“Hamletmachine,” UC Irvine: The second half of a double bill of plays by contemporary German dramatist Heiner Muller featured the most electric physical production in Orange County this year. The efforts of set designer Douglas-Scott Goheen, costumer Beth Novak and lighting designer Doreen Tighe came together to create a laboratory of horror complete with a refrigerator oozing blood.

“1/3, a series of rapid ‘i’ movements,” UC Irvine: A stimulating investigation into the alpha stage of sleep, this show defied summation as the dreams of a half dozen people intertwined and came to life. The creation of UCI student Lawrence Beiderman, “1/3 . . . “ was very personal and very original.

Alternative Repertory Theatre, Santa Ana: This troupe consistently offers classy productions of challenging plays. Founders Patricia L. Terry, Kathleen Bryson, Gary Christensen and David C. Palmer bring theater with big style to a little storefront. This year’s productions of “Brecht on Brecht,” “The Tempest” and the currently running “A Christmas Memory” have exhibited an ambitious vision and the craft to realize it.