POP AND JAZZ REVIEWS : Lundy Gives Uneven but Engaging Show

Carmen Lundy, heard Friday at Le Cafe in Sherman Oaks, is a multitalented artist: singer, composer, lyricist, painter. Vocally, she might best be characterized as a jazz contralto, with an unconventional, extrovert personality.

A torrid warm-up on the standard “Star Eyes” revealed an empathetic interaction with her trio, led by pianist Billy Childs. With the ubiquitous Ralph Penland on drums and Reggie Hamilton on bass, she enjoyed buoyant support throughout a long and engaging set.

Lundy’s talent for songwriting was best illustrated in “Never Gonna Let You Go” and “You’re Not in Love,” both equally strong in their intelligently designed words and well-crafted melodies.

“When Your Lover Has Gone,” a half-forgotten ballad from 1931, began appealingly but lost power during a mood-breaking scat chorus. “The End of a Love Affair” included the line: “My voice is too loud when I’m out in a crowd,” which had autobiographical overtones, though Lundy’s fortissimo outbursts were well received and sometimes appropriate.

Billy Childs’ role was more than that of an accompanist. Always sensitive in his collaborations with singers, he brought a special, personal element to such well-worn material as “Round Midnight.”

The final verdict on Carmen Lundy is not yet in. A career that has taken her through gospel, R&B;, jazz and other phases now seems to be bringing together several elements from these earlier stages. She may be inconsistent but she never becomes a bore.