This Version of Wilde Is a Bit Too Mild

It’s been a Wilde theatrical season. The latest in a rash of recent productions of “The Importance of Being Earnest” can be found in the inaugural season at the 24th Street Theatre (in repertory with “The Cave Dwellers”). This particular incarnation of Wilde’s overly produced classic is distinctive primarily in that it features an all-African American cast--an innovation oddly incidental to the overall production, which carefully avoids any emphasis whatsoever on the color of the performers.

Perhaps that’s precisely the point that director Gregg Daniel would make. But whatever Daniel’s intentions, his attack seems disappointingly conventional--especially in light of Robert A. Prior’s innovative staging a few months back.

To give Daniel his due, the proceedings are crisply competent throughout. Joan Stapleton-Francis’ costumes and Scott Campbell’s original paintings are integral embellishments. Jerry Dixon is particularly fetching as Jack, but Veralyn Jones seems somewhat subdued to be a properly gorgon-esque Lady Bracknell. However, there are virtues in restraint, and though this “Earnest” is too mild to be truly Wilde, there’s no denying its workmanlike accessibility.

BE THERE

“The Importance of Being Earnest,” 24th Street Theatre, 1117 W. 24th St., Los Angeles. Thursdays-Saturdays, 8 p.m.; Sundays, 3 p.m. Ends Nov. 23. (Dark Nov. 15-16.) $12. (213) 658-4050. Running time: 2 hours, 20 minutes.