Chris Pine, straight from his “Star Trek” launch into the celebrity stratosphere, added a crackling believability to Beau Willimon’s drama about the thankless dirty tricks and ruthless back stabbing of those conducting the spin war for aspiring presidents. (Kirk McKoy / Los Angeles Times)
The Donmar Warehouse’s scaled-down version of Jason
One of two superlatively staged Enda Walsh plays imported by UCLA Live from the Galway-based theater company Druid Ireland, and the one that most impressed me with the author’s uncompromising neo-Beckettian ingenuity. (Glenn Koenig / Los Angeles Times)