Reflecting on Yayoi Kusama at the Broad museum
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Reflecting on Yayoi Kusama at the Broad museum

Reflecting on Yayoi Kusama at the Broad museum

Looking into “Infinity Mirrored Room — Love Forever,” 1994, one of the artist’s six rooms in the exhibition “Yayoi Kusama: Infinity Mirrors” at the Broad museum in downtown L.A.

 (Robert Gauthier / Los Angeles Times )
Reflecting on Yayoi Kusama at the Broad museum

“Infinity Mirror Room — Phalli’s Field,” 1965.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

“Phalli’s Field.”

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

“Infinity Mirrorer Room — Aftermath of Obliteration of Eternity,” 2009.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

“Dots Obsession — Love Transformed Into Dots,” 2007.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

The exhibition “Yayoi Kusama: Infinity Mirrors” also includes the Japanese artist’s sculptures.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

Yayoi Kusama’s “Walking on the Sea of Death,” sewn stuffed fabric, fiberglass rowboat.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad

Detail of “Walking on the Sea of Death.”

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

Yayoi Kusama on screen during installation of her exhibition at the Broad museum on Monday.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

Workers prepare another Kusama sculpture for installation.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

“Love Forever,” in a different light.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

“Love Forever,” in yet another part of the light sequence.

 (Robert Gauthier / Los Angeles Times)
Reflecting on Yayoi Kusama at the Broad museum

Workers uncrate more work by Yayoi Kusama in preparation for the Broad opening.

 (Robert Gauthier / Los Angeles Times)
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