The genre got further fragmented, but there were standouts nonetheless.
Black bohemians: Our president-elect has radically challenged America’s attitudes about race. The shift’s happening in music too -- on albums including “Dear Science” by art rockers TV on the Radio and the debut from the undefinable Santogold, in the newly minted pop stardom of M.I.A. via the single “Paper Planes” and through the unwavering success of Lil Wayne, whose tricksterism breaks down some heavy doors. (Photo: Lil Wayne. Credit: Stefano Paltera / For the Times)
“Hercules and Love Affair” (DFA Records):
Grown-people R&B: Leave the strippers and the carnival outfits to T-Pain.
Advertisement
Martha Wainwright, “I Know You’re Married but I’ve Got Feelings Too” (Rounder): The singer-songwriter who’s too often been stuck in the back row of her famously musical family made a gorgeous, hungry, sad, sweet album anyone who’s ever been recklessly in love should hear. (Graham Denholm / Getty Images)
The Sub Pop Festival: This two-day celebration of Seattles premier music label, held in bucolic Marymoor Park, had memorable sets from Fleet Foxes, a reunited Green River, the still-powerful Mudhoney and many others. But the love circulating among artists, fans and the earthiest “music industry types” on the planet made it truly special. (Photo: Fleet Foxes. Credit: Kevin P. Casey / For the Times)
Africa resurgent: Like
Advertisement
THE WORST
Katy Perry, “One of the Boys” (Capitol): Knock-off New Wave from a former Christian music artist trying to fashion herself into a hot sinner, this album is retrograde in every way: musically, politically and especially in its attempts to titillate. Perry makes
Related: Complete year-end music coverage on Pop & Hiss. (Bob Chamberlin / Los Angeles Times)