Los Angeles Times art critic Christopher Knight won the 2020 Pulitzer Prize for criticism (he was a finalist for the prize in 1991, 2001 and 2007). In 2020, he also received the Lifetime Achievement Award in Art Journalism from the Rabkin Foundation. Knight received the 1997 Frank Jewett Mather Award for distinction in art criticism from the College Art Assn., becoming the first journalist to win the award in more than 25 years. He has appeared on CBS’ “60 Minutes,” PBS’ “NewsHour,” NPR’s “Morning Edition” and “All Things Considered” and CNN and was featured in the 2009 documentary movie about the controversial relocation of the Barnes Foundation’s art collection, “The Art of the Steal.”
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A 1963 collective of Black artists resisted the stereotypes of mass media. The power of their image-making is on exhibition in L.A. for a limited time.
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Review: A smart yet narrow ICA L.A. show confronts marginalized people’s visibility and invisibility
‘The Condition of Being Addressable,’ a new ICA L.A. show featuring works by queer artists, women and artists of color, probes the idea that marginalized people are often invisible or hyper-visible — which can distort perception.
A 25-year survey of the L.A. artist speaks to our conflicted moment.
Ed Kienholz’s assemblage ‘The Illegal Operation,’ on view at LACMA, muses on back-alley abortions.
The Washington, D.C., artist Sam Gilliam, who died at age 88 over the weekend, crossed painting and sculpture in draped canvases.
The recently opened Cheech Marin Center for Chicano Art and Culture is an essential repository of recent art history.
LACMA has built an impressive permanent collection of Spanish American art in just 16 years.