Glenn Whipp covers film and television for the Los Angeles Times and serves as columnist for The Envelope, The Times’ awards season publication.
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‘The White Lotus’ and ‘The Last of Us’ may earn more nominations overall, but the Emmys’ top prize will come down to ‘Severance’ and ‘The Pitt.’ Our columnist breaks it down.
TIFF’s People’s Choice Award has been a prime Oscars precursor. But ‘The Life of Chuck’ will need broader audiences to respond just as favorably to mount a campaign.
Elevating Hulu’s ‘Mid-Century Modern’ with her unmatched vitality and comic timing, the late actor could finally win the Emmy denied her over 200-plus episodes of ‘Alice.’
Its portrait of billionaire tech bros can feel dangerously close to an ‘SNL’ skit, but HBO’s latest TV movie has an advantage in the Emmy race: awareness.
In the wake of a divisive Season 2 finale, awards columnist Glenn Whipp breaks down ‘The Last of Us’ Emmy chances. Can it match the 8 wins it racked up in 2023?
After years of shows like ‘Schitt’s Creek,’ ‘Succession’ and ‘The Bear’ running the table, the 2025 Emmy race features a bumper crop of first-timers poised to break through.
‘It Was Just an Accident’ and ‘Sentimental Value’ are now surefire Oscar contenders — as is one former winner the Cannes jury overlooked.
In an exclusive interview with The Envelope, Dever pulls back the curtain on the Season 2 finale, teases Season 3 and reveals why the reaction to Joel’s death defied her expectations.
The season looks strong, loaded with the kind of big Hollywood swings, smart indie alternatives and a fair amount of delicious-looking dumb, necessary in every summer diet.
Series creator Rian Johnson, lead Natasha Lyonne and four Season 2 guests break down one of the series’ trademarks — and their own bull— detectors.