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On the last day of Emmy nominations voting, awards columnist Glenn Whipp delivers his own (unofficial) ballot.
‘The Rehearsal’ defies categorization, which may hurt its chances against more traditional comedies. But Emmy voters should give it a serious look, our columnist writes.
With cuts to PBS and other public broadcasters looming, Emmy voters could make a statement of support by nominating ‘Wolf Hall.’
After years of exceptional, understated work, standout roles in ‘The Last of Us’ and ‘Godzilla x Kong’ are poised to take the actor from secret weapon to major star.
With its central love story turned toxic, ‘Hacks’ doesn’t have the ironclad argument it did last year. Could a new comedy series winner emerge?
Director Lauren Greenfield and three of her ‘Social Studies’ subjects, now college students, reflect on FX’s extraordinarily intimate look inside the lives of L.A. teens.
Our awards columnist looks at the Emmys’ spotty history with child actors, and talks to the 15-year-old’s ‘Adolescence’ co-stars, to divine whether he’ll join a very small club this year.
‘The White Lotus’ and ‘The Last of Us’ may earn more nominations overall, but the Emmys’ top prize will come down to ‘Severance’ and ‘The Pitt.’ Our columnist breaks it down.
TIFF’s People’s Choice Award has been a prime Oscars precursor. But ‘The Life of Chuck’ will need broader audiences to respond just as favorably to mount a campaign.
Elevating Hulu’s ‘Mid-Century Modern’ with her unmatched vitality and comic timing, the late actor could finally win the Emmy denied her over 200-plus episodes of ‘Alice.’
