Joshua Rothkopf is film editor of the Los Angeles Times. He most recently served as senior movies editor at Entertainment Weekly. Before then, Rothkopf spent 16 years at Time Out New York, where he was film editor and senior film critic. His writing has appeared in the New York Times, Sight and Sound, Empire, Rolling Stone and In These Times, where he was chief film critic from 1999 to 2003.
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A crisp, charming presence opposite volcanic stars like Nicole Kidman, Isabelle Adjani and Holly Hunter, Neill made a career out of letting others shine.
A series that’s been extended long past Sam Raimi’s original sense of humor, the thrills now come from gore that pushes the boundaries of an R rating.
Deluxe prints and special guests (Wes Anderson!) await at July’s best screenings in Los Angeles, along with essential theatrical experiences like “Jaws” and “Blow Out.”
From classic dramas like ‘The Grapes of Wrath’ and ‘Nashville’ to a John Carpenter sci-fi nightmare, these movies articulate a shifting national mood.
Writing, directing and starring in his own magnificent obsession, John Early feels like a cinematic heir to John Waters, Todd Haynes and Douglas Sirk.
Deluxe prints and special guests (Michael Mann!) await at June’s best screenings in Los Angeles, along with essential theatrical experiences like 1989’s “Batman.”
Opening its first post-Neil Peart tour with high energy and a smartly chosen set list, the band also has a showstopper in touring drummer Anika Nilles.
In this week’s Screen Gab, Karen Rodriguez stops by to talk about playing Janet Ruiz in Prime Video’s comic book adaptation, plus streaming suggestions for your weekend.
Awards for acting were shared by the co-stars of “Coward” and “All of Sudden,” while the Russian thriller “Minotaur” took home the festival’s Grand Prize.
Not every returning auteur brought their A-game, but we found enough to like, including strong work from Pedro Almodóvar, Ryusuke Hamaguchi and Jane Schoenbrun.