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Ari Aster’s new movie “Eddington,” a neo-western, arose out of anxieties he was feeling during the COVID lockdown. He thinks truth and democracy are unraveling.
The season looks strong, loaded with the kind of big Hollywood swings, smart indie alternatives and a fair amount of delicious-looking dumb, necessary in every summer diet.
Ahead of ‘M3GAN 2.0,’ we visit the doll’s design shop. Designers Adrien Morot and Kathy Tse on animatronics, AI and a house style that’s won over Hollywood.
In Screen Gab No. 175, we get you up to speed on ‘The White Lotus,’ catch up with actor Dulé Hill and recommend three projects worth watching.
Alain Guiraudie, the French writer-director, shapes his penchant for queer subject matter into something that owes much to the cool mysteries of Claude Chabrol.
An unpredictable, volatile presence onscreen, the actor leaves behind major performances in five different decades. We celebrate Hackman’s legacy with our picks.
Got longevity, respect and fame but an empty shelf? Two LAT film staffers discuss the concept of when an Oscar is “due” — if ever.
Though blessed with new interviews with surviving band members Jimmy Page, John Paul Jones and Robert Plant, the timid profile represents a missed opportunity.
We came to Park City, Utah, with huge appetites for the 41st annual Sundance Film Festival. But we’re trimming down our top picks to the very best of the best.
In our final Sundance Daily newsletter of 2025, we catch up with the team behind ‘Love, Brooklyn,’ recommend two new horror movies and more.
