Mark Swed, Music Critic


The Latest

It's frankly Scandinavian
CRITIC'S NOTEBOOK

In Norway, Sweden and Denmark, the embrace of classical music can tend toward...



OPERA REVIEW

A new cast steps in for the final performances of L.A. Opera's traditional take on Verdi's opera. The...



André Previn's place in L.A. Philharmonic history
CLASSICAL MUSIC

He helped make some of Esa-Pekka Salonen's accomplishments possible....



Mills College, a school without walls
CRITIC'S NOTEBOOK

At this forward-thinking campus in Oakland, the storied staff and student body...



Review: Israel Philharmonic at Disney Hall



Review: Lukas Ligeti at the Steve Allen Theater
MUSIC REVIEW

It's an African excursion as the composer-performer builds layer upon layer of...



'Kafka Fragments' at Walt Disney Concert Hall
MUSIC REVIEW

The soprano is extraordinary in György Kurtág's brilliant 'Kafka Fragments.'



Los Angeles Opera's "Carmen": lukewarm and light



Adès and the L.A. Philharmonic take over your senses



All the wit of Beethoven
Review: András Schiff at the Disney Concert Hall

In András Schiff's hands, the 16th Sonata dances between high comedy and drama.



Von Stade sounds out the Broad Stage
MUSIC REVIEW

The new venue's acoustics seem all right, so far, as the mezzo-soprano sings...



Branford Marsalis and the Philarmonia Brasileira
MUSIC REVIEW

The sax player and the Brazilian chamber group explore the works of Darius...



'Hallelujah Junction: Composing an American Life' by John Adams
BOOK REVIEW

America's voice finally tells his own story.



How Esa-Pekka Salonen and L.A. Phil grew together
CLASSICAL MUSIC

Too flashy. Too cold. Too young. Many critics said Salonen would be a bad fit....



'Bonesetter's Daughter' at San Francisco Opera
OPERA REVIEW

Stewart Wallace's work based on Amy Tan's novel merges Asian techniques with...



MUSIC REVIEW

The world did not end Wednesday morning after scientists near Geneva turned on the Large Hadron Collider,...



L.A. Opera's 'The Fly' is a monster mash
OPERA REVIEW

David Cronenberg and Howard Shore turn their film into a dreary, monotonous...



'Il Trittico,' the Los Angeles Opera
OPERA REVIEW

Filmmaker Woody Allen helps deliver great comic Puccini



Music review: Joshua Bell at the Hollywood Bowl
MUSIC REVIEW

The popular 40-year-old violinist from Indiana plays his solos big, powerful and...



The Phil warms  to Glass
MUSIC REVIEW

The veteran minimalist's Violin Concerto finally comes out west.



Review: 'A Wedding' at the Lobero Theatre
OPERA REVIEW

William Bolcom's comic work, based on a Robert Altman film, is hitched to an...



Harth-Bedoya makes the night dance at the Hollywood Bowl
MUSIC REVIEW

Miguel Harth-Bedoya led the Los Angeles Philharmonic in a likable and satisfying performance of...



Odd staging can't disguise beauty of 'King Roger'
OPERA REVIEW

Szymanowski's rarely performed work at Bard College in upstate New York has an...



Honoring composer Elliott Carter
CRITIC'S NOTEBOOK

A celebration of the uncommon, still-active Elliott Carter (at 99) ignites...



Ringing sounds of the mallet-driven marimba
MUSIC REVIEW

The instrument's aficionados gather for a festival where new works and methods...



Opera review: 'Carmen' at the Hollywood Bowl
OPERA REVIEW

At the Hollywood Bowl, 'Carmen' is overacted and imprecisely sung.



Refreshing breeze at the Bowl
MUSIC REVIEW

Tuesday night, for the 87th time, the Los Angeles Philharmonic opened its classical music series at the...



Classical music online: Salonen, Sellars and Mozart
CRITIC'S NOTEBOOK

A concert honoring the L.A. Philharmonic music director and a shocking...



Things get silly at salute to a maverick
MUSIC REVIEW

In a magical night, Partch the ensemble performs works by Partch the musician....



Walt Disney Concert Hall needs to stand tall
CRITIC'S NOTEBOOK

The L.A. Philharmonic has grown bolder, fans are flocking and the hall's sound...



Bronfman plays Salonen's Piano Concerto
MUSIC REVIEW

On Feb. 1, 2007, the New York Philharmonic premiered Esa-Pekka Salonen’s Piano Concerto, his most...



The L.A. Phil's invitation to dream
MUSIC REVIEW

The L.A. Phil turns to otherworldly pieces by Bartók and Stravinsky. And in...



The Dutch embrace Messiaen
CRITIC'S NOTEBOOK

AMSTERDAM -- There have been some things even the most dazed Dutch, hazy-headed from the legal hash and...



Beaux Arts Trio at the Ace Gallery
MUSIC REVIEW

On its farewell tour, the trio plays its last concert in L.A. among friends.



Live: L.A. Philharmonic
MUSIC REVIEW

As Dudamel unravels an exuberant program, soloist Leila Josefowicz matches him,...



Live: Chanticleer on 'Mission Road' in San Luis Obispo
MUSIC REVIEW

The mission music of two centuries ago sounds fresh and pure California.



Opera: This Tosca leads the Puccini parade with purity
OPERA REVIEW

Newcomer Adrianne Pieczonka joins original tenor Neil Shicoff and veteran Juan...



Helmut Lachenmann at Monday Evening Concerts
MUSIC REVIEW

Visiting Los Angeles, the German avant-gardist revisits several of his studies...



Live: 'Blackbird,' by the numbers
MUSIC REVIEW

The math behind eighth blackbird’s program Tuesday night at the Orange County Performing...



This Dido lives and dies a dancer
OPERA REVIEW

Choreographer Mark Morris brings his once taboo-breaking, now classic...



Live: Gustavo Dudamel and the L.A. Philharmonic
MUSIC REVIEW

Energy marks a significant night for the conductor in a program with works by...



Live: Opera Pacific's 'Susannah'
OPERA REVIEW

The production is Southern California's first in 25 years and is an American...



CRITIC'S NOTEBOOK

With the celebrities gone and the galas over, the L.A. Phil can settle in to its highly hailed new home.



DISNEY HALL

The polished steel exterior of the Walt Disney Concert Hall is already familiar. Inside, the paint is...



MUSIC REVIEW

Sight and sound complement each other as the ensemble opens its season with works by the late Earle...



'Paper' leaves a trail of missed opportunities
MUSIC REVIEW

The Philharmonic's piece for children is entrancing, but the young audience is...



La La La Human Steps
DANCE REVIEW

Édouard Lock's Montreal company rethinks Tchaikovsky with 'Amjad' at Royce Hall.



Powerhouse 'Flute' subdues picnickers
OPERA REVIEW

L.A. Philharmonic’s ‘Magic Flute’ is a no-nonsense powerhouse.



Life's rhythms pulse through Ojai festival
MUSIC REVIEW

Pianist Pierre-Laurent Aimard, this year's guiding force, embraces humanity...



Domingo, cast find their perfect match in ‘Luisa’
OPERA REVIEW

Plácido Domingo and L.A. Opera have a winner with 'Luisa'



Pacific Symphony rediscovers Mexico
MUSIC REVIEW

A polyglot festival reflects the nation's musical roots, which have much in...



A fine weekend for chamber music
CRITIC'S NOTEBOOK

Three Southland venues offer awe-inspiring pieces.



MUSIC REVIEW

Kronos gives an epic West Coast premiere of Gorecki's second Third.



Please, give him room to mature
CRITIC'S NOTEBOOK

Jay Greenberg's talent is immense, but for the teen to grow, the music...



A retreat charges on
CRITIC'S NOTEBOOK

Swathed in a colorful past, the Ojai Festival is modest, informal and world-...



CRITIC'S NOTEBOOK

The conflict roiling inside of Leonard Bernstein found fervent, ecstatic release in each note of music he...



Performing Rauschenberg
CRITIC'S NOTEBOOK

The artist's Combines aren't limited to canvas — they come alive in...


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