Advertisement

Satellite Revolution in Space Changes Life on Earth Forever

Share
Associated Press

Up there, in the realm of eerie silence that used to exceed man’s grasp, little manufacturers circle the Earth steadily. The world would be sorely deprived if they went on strike.

Today, routinely, satellites:

--Watch storms blossom in the Pacific;

--Catch and beam back down “All My Children”;

--Track our traffic violations from one state to another;

--Follow the trails of the “Ten Most Wanted”;

--Flash the millions of daily trades on the New York Stock Exchange;

--Tell a rolling ship at sea and a flashing Concorde airliner where they are;

--Map mountains, borders and rivers;

--Relay our blood pressure to a distant doctor;

--And send this story to your newspaper.

1964 Olympics Telecast

It was 1964 when we first saw an international Olympics live. Now, we are used to seeing the instantaneous drama of a hijacked airliner in Lebanon or of the starving children of Africa.

In 25 years, satellites have altered the human condition, seemingly while we were not looking.

Advertisement

“People think about space technology as a series of blinding flashes on the road to Damascus,” said Albert D. Wheelon, president of the Hughes Space and Communications group. “Everyone thinks lightning comes down, and suddenly it’s all clear. It isn’t that way. It’s just hard work. You keep making a little improvement every year.”

Today’s satellites--about 1,400 of them are now up there--do not quite resemble the simple Sputnik that beeped space into everyone’s consciousness in 1957, or the puny silver grapefruit that was Vanguard.

“Each generation, I guess, thinks they are working at the forward edge of technology,” said Charles Schmidt, general manager of RCA’s Astro Electronics, “but technology moves on, and yesterday’s breakthroughs become rudimentary.”

One part of the current technology is embodied in the Aussat, an Australian communications satellite launched Tuesday by the space shuttle. It was built in the High Bay building of Hughes Aircraft in El Segundo, Calif., in a scene of great care.

Men in white coats wire by hand the 22,000 or so connections for the nine miles of wire that form the brain of the satellite. Braids of color-coded wires loop in and out of the superstructure to carry electronic instructions to various parts of the satellite.

Everything is as light as possible. The terribly fragile beryllium struts would shatter if dropped on the floor. Much of the fabrication uses graphite epoxy, stronger than steel at half the weight, formed into thread and fabric to become almost as supple as clay before it hardens. The main frame is honeycombed aluminum, for lightness and strength.

Advertisement

This is a leisurely assembly line, quiet as a library. About 150 experts will take 30 months to build this satellite.

The work is mostly by hand. And every time a tiny connection is made or any other work is done, it is logged in this spacecraft’s diary. Once in space, you cannot change light bulbs or call a repairman--although the space shuttle last week worked toward setting up just such a repair service.

Beyond complexity and lightness, the satellite represents great expense.

The heart of this satellite is 19 transmission tubes, and a high-powered, 30-watt television tube costs $400,000; telephone circuit tubes are less.

The decoder, a small black box affixed to the frame, tells the satellite what to do on instructions from Earth. It costs $150,000.

The sleek outer shell is paneled with 22,000 space-qualified solar cells, small blue jewels that turn sunlight into electricity. Price: $50 apiece.

The last nine to 10 months are devoted to testing in the Space Simulation Laboratory. The satellite spends a week in the Thermal Vacuum Chamber, heated to 275 degrees Fahrenheit, chilled to minus-320. Then, it is bolted to a shaker table to mimic the wrenchings of launch. In a sound chamber, it is subjected to 130 decibels. A jet plane records 104 decibels, and since each decibel is 10 times louder than the one before, 130 decibels is very loud.

Advertisement

When it finally is ready for shipment to Cape Canaveral, the satellite rides in a special truck with an air ride chamber so the cargo literally floats. Every bump in the road is recorded. The sides of the truck are armored, just in case somebody takes potshots.

The precautions are worth it to Hughes, NASA and Australia, the force behind this particular satellite.

In that country, 15 million people live in an area almost as big as the United States. About 95% of them live in urban areas like Brisbane, Sydney, Melbourne, Adelaide and Perth. They have television, telephones, first-class medical facilities, newspapers, supermarkets, the lot.

The trouble is that there are another 700,000 or so Australians who have little or none of those things, leaving them somewhere on the fringe of Western civilization. Yet the people in this heartland of the nation raise the cattle and grain, mine the ore, pump the oil and, in fact, produce much of the national product.

Leighton Farrell of Aussat, the new Australian satellite enterprise, says “the tyranny of distance has a real ring in Australia.”

“The demand is far and above what our predictions were,” Farrell said. “So right now we’re in the fortunate position of looking for more satellites. We’ve started designing a second generation, a fourth satellite.”

Advertisement

Because of such demand, it is getting crowded up there. Some satellites have to be controlled to prevent interference with others.

“Spacecraft used to be 1,800 miles apart,” says Schmidt of RCA. “Now they’re talking about co-location of spacecraft. That doesn’t mean touching, but 50 or 60 miles apart.”

Little more than 20 years ago that would have seemed ludicrous.

Dr. Harold Rosen of Hughes, with other company engineers, ripened the idea for a satellite perched in orbit over one spot on Earth, its speed timed precisely to the Earth’s rotation. Such geosynchronous satellites now pepper the heavens and more are on the way, providing instant television and telephone for nations that would have had to wait decades to provide land lines and microwave reflectors to do the same job.

He thinks the idea of a stationary satellite first surfaced in an article by science writer Arthur C. Clarke.

“It was kind of science fiction actually, because he didn’t know how to do it,” Rosen remembers. “He had a bunch of men in it, changing tubes. But he had the idea.”

Rosen has since been cited by President Reagan for those early efforts, but at the time, no one cited him for anything except contempt of practicality.

Advertisement

“We alternated between excitement and frustration. It was hard to generate a sense of reality. It was looked upon by some as more science fiction than science. But we persevered and finally got the company support we needed to build a prototype in 1960. We thought the world would beat a path to our door, but it didn’t happen that way.”

It was not until a competing idea, fostered by the Defense Department, began to look like what many scientists called “a boondoggle, riddled by cost overruns,” that Rosen’s idea got the play.

Spin for Stability

He used a spinning satellite that provided its own stability and drove the weight down with a number of innovations, shrinking things inch-by-inch, ounce-by-ounce until the dry weight of their Syncom satellite came to 80 pounds, something even the early rockets could put in orbit.

Lifetimes of satellites have been extended, from a year or so in the beginning to almost 10 years now. That brings earthly considerations into the picture.

“It becomes a question in a commercial sense,” says RCA’s Schmidt, “whether anyone wants life longer than 10 years because technology can make a satellite rudimentary and someone will be fielding much more sophisticated satellites. There are questions of depreciation and other economic aspects.”

Advertisement