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Look at Downtown, the New Los Angeles

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<i> James Sanders, an urban designer, directed the Bryant Park Project in New York City and has helped develop guidelines for Pershing Square. </i>

Los Angeles is breaking the rules. Again. The source of contention? The same as last time: Downtown. Back in the late 1950s and early ‘60s, the problem was that Los Angeles was supposed to have one, and didn’t. Now the problem seems to be that Los Angeles isn’t supposed to have one, and does.

People from other places used to dismiss Los Angeles as, “70-odd suburbs in search of a city.” But behind that remark lay truth. Los Angeles was pioneering a new sort of city, one breaking a mere 6,000 years of tradition; and urban planners, no less than out-of-town smart alecks, were at a loss to understand it.

The broad web of newly built freeways superimposed on a thin layer of low-density settlement was creating a city where downtown was no longer a center of gravity. Virtually since the Bronze Age, cities had grown concentrically from a set of interchanges of roads and water. American cities added a special twist, with soaring shafts a quarter-mile high to punctuate that intersection, creating the image universally recognized today as “city”: a skyscraper skyline.

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But in Los Angeles, growth, based on the automobile, was spreading out horizontally, along the boulevards such as Wilshire, in linear developments, each miles in length. An urban generation was coming of age that, in many cases, had never even been downtown. This was new: A wholly decentralized, low-rise layer of development, stretched in long even lines across a great basin. (For seismic reasons, no building was higher than 13 stories).

Urban planners didn’t understand it and didn’t like it. Cities had centers, where people collected and intermingled for commerce, culture and society. They were places of concentration. Whatever it was , Los Angeles wasn’t like that, and the planners condemned it. “Autopia,” they called it. Meanwhile, Angelenos blithely went on, completing the freeway system, pushing farther into the northern valleys and southern fields.

Reconciliation came with the late 1960s and early ‘70s. A new generation of planners and critics took a fresh look at Los Angeles and came away with something much like, “if you can’t beat ‘em, join ‘em.” English critic Reyner Banham (whose 1971 book, “Los Angeles: The Architecture of Four Ecologies,” is still a classic) accepted the city’s developmental premise and drew attention to its qualities as an important American prototype. The influential husband-and-wife team of Robert Venturi and Denise Scott Brown took their Yale architecture students to Nevada and emerged with a book called, shockingly, “Learning from Las Vegas,” a strong case for the legitimacy of highway strip development. Architects and urbanists nationwide came to realize that Los Angeles had been a forerunner of future American development.

As the pendulum swung, a new orthodoxy emerged (urban planners seem to love rigid rules): “Strip” city is the right way, the only way for cities like Los Angeles to grow. Stop worrying about downtown, they said. Los Angeles probably shouldn’t even have a downtown.

But take in the view today from Grand Avenue and Fifth Street looking north to Bunker Hill and see otherwise. Los Angeles, about as concerned as it’s ever been with planners’ orthodoxy, is building itself a massive downtown--a vertical downtown, with soaring towers, plazas, museums, housing and parks. There is even a serious plan for a subway.

There is also delicious irony here--and reason for concern. Making a good downtown is not easy. And though no one can dispute the strength and power of the emerging downtown, its quality, its quality of life, is another matter.

The new growth didn’t start yesterday, of course. Skyscrapers have been rising since the repeal of the height limitation in the late 1950s. But in the last few years, something has changed.

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Partially, it’s a physical difference. For years, the new towers tended to cluster in the “flatlands” along Flower and Figueroa. As tall as they were (and some, like the Arco twins, were very tall), they felt a bit defensive, brave pinpricks set against the sky, tentatively breaking the sweeping horizontal line of freeways and distant mountain ranges. But as the growth moved north and started climbing Bunker Hill, the image changed. The towers added the hill’s natural height to their own, and began to seem a confident upward gesture.

From the “lower” streets of Fifth and Sixth, they created a new kind of view. At Fifth and Grand, one must literally crane one’s neck to take it in, the thrust gathering force as the eye sweeps up the sharp slope of Grand Avenue and then, like a racing skier shooting off the end of a ramp, takes a final leap into the sky with the sheer knife edge of the Crocker tower, the eye not stopping until it has literally “scraped the sky.” This is not just tall building: It is an intense--even poetic--rush of verticality.

But there is also more than height; the view has become more substantial as the bulk continues to grow, north on Bunker Hill and, now, south past Seventh Street. It is an issue of critical mass. Downtown has become big enough to sustain itself as a center of gravity. And while many Angelenos still go about their daily lives minus much downtown contact, its power is being increasingly felt, not just in the Los Angeles Basin, but north and far west.

San Francisco has felt the heat. For years, Los Angeles ceded to its northern neighbor--a city that seemed all downtown--a certain internationalism even as the growth was down south. Now, the “new” downtown Los Angeles is pulling away international banking and finance, establishing a center of great radiating lines of communications and trade for the Pacific Rim. As on the East Coast, where New York is grabbing the remaining marbles of the Atlantic economic community, so Los Angeles is setting itself up as the Pacific’s economic capital. The two cities seem intent on carving the world into two great economic entities, with themselves as the centers.

Yet if skyscrapers shoot into the sky, then they must also come down to the street. And here, at sidewalk scale, is where most of the questions remain about downtown’s viability as something more than a high-rise suburb.

The Community Redevelopment Agency has made heroic efforts to swing the colossus of planning theory away from the mindless auto-domination that put people on dismal “pedestrian bridges” and encouraged shops and services to be tucked inside buildings, presenting a deadly, blank face to the street. Only slowly is the city coming around to appreciate that the first essential element for a great downtown (as distinct from a grouping of office buildings) is a lively street life.

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Despite encouraging signs (new shops being punched in the side of the Bonaventure Hotel’s first floors), the record to date is only mixed. New office buildings on Bunker Hill have provided little more than the traditional corporate plazas, built more for prestige than lively use, that still seem (except for an hour or two at lunch) to be sets for a remake of “On the Beach.”

Now new street-level improvements are on their way that may make a difference: Citicorp Center, offering the first of what its designers conceive as a “necklace” of pedestrian delights to run through downtown; the “Spanish Steps” on Fifth Street, holding the promise of an exciting pedestrian fabric connecting the plazas of the new Museum of Contemporary Art with open spaces planned for the Central Library. Although questions remain about such mundane matters as the amount of parking required, there is some reason for optimism that more and better street life downtown is afoot.

But even with the promise of pedestrians walking corporate plazas, something is missing. Most of these spaces are private; there is still the hunger for a sense of truly civic spirit. For that spirit, many eyes turn to Pershing Square because it promises to be special and alluring, with new botanical displays, a glass house, historical details, performances, even a nighttime laser spectacle. Yet no single block, five acres in size, will suddenly give Los Angeles a sense of civic grandeur. The sensibility infusing Pershing Square’s reconstruction--a desire to make a place beautiful, exciting and, just as important, welcoming --must permeate the rest of downtown.

Making places that invite a wide variety of people is the second essential of a great downtown. Yet Los Angeles’ physical structure has tended to isolate different ethnic and socioeconomic groups. Bridging that isolation, bringing people together downtown in gracious, humane and “civic” surroundings is the biggest hurdle--a profoundly human as well as urban goal. On it may ride the city’s success or failure in achieving urban greatness.

But it would be wrong to underestimate Los Angeles: Having shown the world one new kind of city, it is now feeling its way toward showing us the “post-strip” downtown. Watch this space.

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