JAZZ REVIEW : Bobby Bryant Leads Quartet at Biltmore

Bobby Bryant has long been known as a heavyweight of the trumpet, musically and physically. A large, imposing figure well-known for his high note work in big bands, he was heard Tuesday in a very different setting, leading a quartet at the Biltmore’s Grand Avenue Bar.

Bryant started one set playing fluegelhorn, but his style did not involve the lyricism and long, winding phrases associated with Art Farmer’s use of this potentially mellow instrument. Switching to trumpet, he seemed more in character on Victor Feldman’s “Seven Steps to Heaven,” his sound and personality better suited to the upbeat groove. Perhaps because of breathing difficulties in the crowded room, he seemed slightly ill at ease, fluffing here and there.

A slow, sinuous blues found him relaxed and emotionally communicative, with admirable support by bassist John Clayton (who bowed a solo chorus), Roy McCurdy on drums, and the pianist Cedric Lawson, an inventive and technically adroit musician. However, Lawson spoiled one number with a literally two-fisted display, hammering away in the lower register in a silly outburst that suggested a thunderstorm or a parody of Cecil Taylor, or possibly both.

Bryant came equipped with a vocalist, Gene Diamond, who showed promise in a strongly stated “My Favorite Things” and a pleasantly restrained “My One and Only Love.” Although basically not a jazz artist, he was effective in this setting and may have pop commercial possibilities.

It was during one of the vocal numbers that Bryant made his only foray with a mute--a welcome change, reminding us that there are times when gentle hints can be as helpful as extrovert declarations.