Edelstein and ‘Rage’
“A Rage in Harlem” was apparently not intended to be a consciousness-raising film, as in the genre of Spike Lee and others. It is no exploitative “New Jack City” either.
“Rage” is a kind of parody of itself, with some characterizations rarely seen in black films. One is a tenderly affectionate relationship between two black men--one a transvestite. Another is the leading role as a gentle, nonviolent man of principle--not a “wimp,” as Edelstein describes him.
Granted, there are stereotypes as well as atypical characters. But the criticism is unfair. What film does not contain stereotypes? “Rage” is an entertaining romp (with notable distinctions) that happens to have a black cast and setting.
As with all other films, black films run the gamut from exploitation to intellectual and artistic excellence. What is important is that good films are being made, and increasingly so.
RICHARD ALAN BORKOVETZ
Huntington Beach
Only good movies
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