The Sequel
In the current debate on Hollywood’s contemporary output, those who defensively argue that movies and TV simply reflect our society’s values might be asked whether they would have supported the films produced by Nazi-controlled studios in the ‘30s or the spate of ideological films produced in Communist states between 1945 and 1990.
DEREK GILL
Redondo Beach
The biggest entertainment stories
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
You may occasionally receive promotional content from the Los Angeles Times.
