Solid Performances Make ‘Lion’ Roar

James Goldman’s “The Lion in Winter” has lost most of its novelty over the years. But the right actors can still have some fun with it, as in the new version at the Knightsbridge Theatre in Pasadena.

A thoroughly modern “family play” disguised as a historical drama, Goldman’s text demonstrates that royal dysfunction existed long before Diana wed Prince Charles. The titular lion is King Henry II (Peter Renaday), the 12th century English monarch who at 50 is sparring with his headstrong queen, Eleanor (Carolyn Hennesy), over succession to the throne.

Goldman’s view of family relations is anachronistic at best, with the king’s three sons falling into neat behavioral patterns familiar to readers of Dr. Joyce Brothers. Eldest Richard (Christian Noble) is outwardly brave but secretly gay, scheming Geoffrey (Glenn Richards) suffers from middle-child syndrome and John (Alistair Tober) is the spoiled baby.

Director Karesa McElheny’s production is mostly workmanlike, with minimal visual interest and some awkward blocking (e.g., many viewers have an obstructed view of the throne downstage right). But the two leads have nevertheless managed to carve delicious performances from Goldman’s ham. With his salt-and-pepper beard, stentorian voice and impeccable timing, Renaday reminds one of Sean Connery, who spent a profitable middle age in similar on-screen roles.

But the real treat is Hennesy, who, while much too young for the role, turns Eleanor into an icy, wisecracking diva who could show Norma Desmond a few new tricks. “Well,” she deadpans after a particularly nasty verbal duel with the king over his mousy mistress (Antoinette Valente), “what family doesn’t have its little ups and downs?” The shtick grows a bit obvious at times, but when Hennesy’s on the prowl, this “Lion” still roars.

* “The Lion in Winter,” Knightsbridge Theatre, 35 S. Raymond Ave., Pasadena. Fridays, 7 p.m., Sundays, 2 p.m. Ends March 10. $15. (818) 440-0821. Running time: 2 hours, 20 minutes.