A More Democratic KUSC

So as to offer some balance to the tenor of the letters of Sept. 14 critical of Wally Smith and Bonnie Grice at KUSC, I would say that the experimentation in format during the last couple of years has been in the best spirit of an attempt to democratize public interest in serious music and the accomplishment of musical excellence on a broader level.

As for Matthew Tepper’s complaint that [Grice’s] “announcing style seems driven by ‘political correctness’ and a casual attitude to music history,” I would offer that Grice’s desire to champion serious music composed by women and members of other unrepresented group is long overdue. Moreover, I find her whimsical irreverence for the music lover wearing a stuffed shirt and her off-the-wall comments about the history of music to be delightfully endearing qualities. In my opinion she is still the best thing that has happened to KUSC.

OLIVER SEELY JR.

Lakewood

Based on the Saturday Letters, I am apparently the lone voice who is concerned about KUSC’s proposed change in format. Thanks to Bonnie Grice, my extensive CD collection has expanded twofold, not only with superb “classical” selections but also with the wonderful eclectic music she has exposed me to since I became a regular listener in 1992. The Celtic, medieval and Peruvian songs she played on KUSC were/are outstanding. She introduced me to Hildegard von Bingen’s soulful and historic music. And Ella Fitzgerald; I will always remember hearing Ella on Bonnie’s “Commuter Classics” afternoon show--such a calming experience for over-stressed drivers on their way home from work.

KUSC, please do not become another “narrow” radio station. Your differences should be celebrated as the premier “classical” music example of what L.A. is all about.

CHRISTINA E. LEGG

Rolling Hills Estates