*** 1/2 PAVEMENT, “Brighten the Corners,” Matador/Capitol

Barbed or benign? Wise guys or sages? Pavement has done a fine job of muddying the waters, allowing its reputation as ironists and pranksters to short-circuit--or at least put a delay mechanism on--the apparent sincerity of its music.

There is a mocking stratum somewhere in Stephen Malkmus’ plaintive vocals, and a fondness for the enigmatic in the lyrics, but beyond that, Pavement is, pure and simple, a group of inventive and relevant writers and players.

The band might evoke a gallery of role models, but its musical scent remains purely and distinctively Pavement. The closest kindred spirit might be Beck: Both unreel long strings of imagery, and both concoct a disarming blend of charm and mystery. Pavement has more the feel of a rootsy rock band, though, its moments of guitar distortion and electronic adornment notwithstanding.

“Brighten the Corners” has more focus and reach than its predecessor, “Wowie Zowie,” and its surreal, often funny yarns explore more tellingly the facets of ‘90s malaise. The music’s ultra-casual feel is deceptive: Melodies this rich and abundant, rock-guitar interactions this dynamic and a melancholy this deep and earned don’t come easy, and they don’t come from slackers.

*

Records are rated on a scale of one star (poor) to four stars (excellent).

*

Hear the Music

* Excerpts from these albums and other recent releases are available on The Times’ World Wide Web site. Point your browser to: https://www.latimes.com/soundclips