Sex and the Single Curl
Gerilyn Freedman hasn’t gone steady with a hairdresser in more than 10 years. The Woodland Hills advertising executive continues to haunt the haute beauty salons of Los Angeles in search of the perfect haircut.
Her most recent stop: the chair of Laurent Dufourg, owner of Prive, for whom Gwyneth Paltrow famously shed her locks earlier this year. If there’s one thing Freedman devoutly believes, it’s that men give better haircuts than women.
“I try to work with women in business and I prefer women doctors--but when it comes to hair, the guys just seem better,” Freedman said.
Her predilection is hardly unusual. Although the vast majority of hairstylists are female--about 70%--as are their clients, in the influential urban circles of New York and Los Angeles, it’s almost exclusively men who earn more than $100 a cut, receive the prominent press and have customers clamoring for their services.
From Cristophe, famed hairstylist-to-Hillary Clinton, to colorist Louis Licari, men own and run the power hair factories, creating a glass ceiling in an industry that caters almost exclusively to women.
The latest hairdresser to hit the jackpot is New York’s Frederic Fekkai. A multimillion-dollar deal with Chanel Inc. in 1995 has led to an expanded salon in New York, a new salon scheduled to open on Rodeo Drive on Friday, as well as products encompassing everything from hair and skin care to perfume, candles and eyeglasses.
However, a number of women are beginning to challenge the industry’s male dominance. Though their numbers remain small, there’s no question that their impact is being felt.
In 1994, New York stylist Kim Lepine left a highly rated salon after 25 years as an employee to open her own eponymous shop on Madison Avenue. She now charges $200 a head and has become so successful that her husband, an international banker, recently left his position to run her burgeoning company.
In Los Angeles there’s Sally Hershberger. Not only does she charge $250 a head at the Jonathan salon in West Hollywood, she’s now discussing a partnership with its owner. She says they would like to open a shop in New York and are in talks with players in the cosmetics industry to establish their own product line.
Hershberger’s also a star in the lucrative world of video and print advertising assignments, where the pay can start at $2,500-plus a day--double or triple that with overtime.
Said Hershberger: “I don’t want to be standing on my feet 10 years from now, but planning takes time and money, and it doesn’t happen overnight.”
In addition, a number of prominent smaller salons owned by women seem poised for further success. In Los Angeles, both Delux, owned by Jillian Fink and Roz Music, and Planet Salon, owned by Ginger Boyle, are beginning to receive attention and press.
Yet the obstacles for these enterprising women and others remain formidable. Primary among them is the long-whispered belief that sexy males wielding scissors hold an advantage over their equally competent female counterparts.
Many believe that if you’re going to charge astronomical rates for what is still, after all, just a haircut, it helps to be handsome. A mysterious European accent probably doesn’t hurt, either.
“Women become intimate with their hairstylists,” said Martha McCully, beauty director for Allure magazine. “It’s a classic relationship. Remember ‘Shampoo’?”
“In salons, you get a lot of women customers who prefer a man. Either they like the attention, or they genuinely believe that men are better,” said Clay Wilson, owner of not one, but two, tres trendy salons, Doyle Wilson and BOBS.
Women don’t doubt that sex appeal is a factor when it comes to success in the hair biz, but they point out other factors at work as well.
For instance, financing may be more of an obstacle for female entrepreneurs in an industry where start-up costs can run well into the six figures. The department store Bergdorf Goodman gave Fekkai his own start. Cristophe worked with silent backers, whom he later bought out.
Women, on the other hand, often look to their own devices. Lepine used her own funds and contacts partially cultivated through her husband. Boyle, formerly partnered with Wilson at BOBS and now a proprietor with her husband, said, “Instead of buying a house, we bought a future.” They’ve poured $140,000 into the fledgling business in its one year of existence.
And then there are reasons, hard to quantify, that allude to the sometimes different ways in which men and women conduct business.
Sheri Eskridge, a top colorist at Art Luna Salon in West Hollywood, says she suspects that many women find it hard to put themselves forward. She uses herself as an example, saying she attributes some of her success to Luna’s mentoring of her career.
“We let things come to us instead of seeking it out,” Eskridge said. “On the other hand, Art definitely went out and sought the business, and I let it come to me. He goes to parties, art openings at galleries, and restaurants and makes the effort to tell people about the salon. For me, it’s still hard to solicit business for myself.”
Nonetheless, Eskridge is discussing opening a new salon with Luna that would appeal to younger and less wealthy clients who can’t afford her now. But money still worries this woman who handles 18 clients a day, charging them anywhere from $125 to $500.
“I’m afraid of the financial commitment and not knowing the outcome,” she said. “I’ve followed Art and let him be the risk-taker.”
Of course, there are female stylists who say they always planned to make it to the top of their profession. “I knew I wasn’t going to end up in a corner salon doing wet sets for ladies,” said Natalie Martino, also of Art Luna Salon.
Eskridge herself is garnering quite a bit of recognition. This year alone, she’s been mentioned in Elle, Allure and Vogue magazines, write-ups she estimates have caused her bookings to double.
Publicity and image remain a stylist’s lifeblood even when he or she is at the top of the profession, whether as owner or employee. As Alan Daniels, author of “Making $50,000 to $100,000 a Year in the Hair Industry,” points out, “people will often buy an image first. Is a Cristophe haircut really worth $295? I wonder. What are you paying for? You’re paying for the atmosphere and the fact that this person did the hair of a celebrity.”
It’s hard to deny that most media attention still goes to the industry’s male superstars. Noted Daniels: “People buy into this mystique we’ve created around these male hairdressers.”
Media insiders deny any conspiracy, saying they merely cover the industry’s prominent players. Many women in the business agree. They say media coverage originates with celebrities, many of whom go to male stylists.
“The women who can make you famous as a hairdresser, they want to be stroked. They want to be sexy to men. To many of these women, it doesn’t matter how good I am,” said Music of Delux, who recently left full-time haircutting to pursue a career as a casting director.
Yet many believe that as younger women raised in the post-feminist era become more dominant among the customer base, more female stylist superstars are bound to emerge. Even the men agree.
“I think in the next five years you will see more women in the business become prominent,” Wilson predicted.
There’s another way for women to become successful in this business. Just ask Fabienne Dufourg, wife of the famed Laurent. She never touches a head of hair, but she’s busy running what is rapidly becoming a mini-empire out of the guest cottage of their Beverly Hills home. It’s Fabienne who came up with the idea to develop a line of Laurent hair-care products, which has turned into a big seller at the salon and on the QVC network.
“I couldn’t do it without my wife,” says Laurent Dufourg, who once was a partner of the famed Jose Eber. “She does the marketing, the numbers.”
And how did Laurent meet his wife? She was once a paying client, of course.
Helaine Olen is a Los Angeles-based writer and can be reached on the Internet at holen@aol.com
