Advertisement

‘Rings’ sequel still towering over rivals

Share
Reuters

The “Lord of the Rings” sequel racked up a third weekend atop the North American box office Sunday, outpacing its predecessor on a quest to reach the billion-dollar mark in worldwide receipts.

Two art-house hits entered the top 10 after successful expansions: the Jack Nicholson black comedy “About Schmidt” jumped 17 places to No. 5, and the musical “Chicago” rose four places to No. 9.

Overall business began the year on a promising note, with the top 12 films grossing an estimated $111 million, up 6% from the year-ago weekend, according to tracking firm Exhibitor Relations. Then, as now, “Rings” director Peter Jackson ruled the roost with his hobbits.

Advertisement

The second installment in New Line Cinema’s “Rings” trilogy, “The Two Towers” earned $25.7 million from 3,622 theaters in the three days beginning Friday, according to estimates. The film’s 48% drop was easily the steepest in the top 10, but it enjoyed a healthy lead over the Leonardo DiCaprio crime caper “Catch Me If You Can,” which held steady at No. 2 with $21.3 million from 3,170 theaters in its second weekend.

“The Two Towers” has earned $261.7 million in North America, vaulting into the No. 18 slot on the all-time list. The film is about 25% ahead of where its predecessor, “The Fellowship of the Ring,” was at the same time.

With the awards season still in its early stages, executives at New Line were reluctant to forecast the film’s eventual total. Although they expect it to surpass the $313-million haul for “Fellowship,” they doubt it will break the $400-million barrier.

The film’s worldwide total rose to $560 million. If it reaches $1 billion, it would rank No. 2, behind the $1.8 billion haul of “Titanic.”

“Catch Me If You Can,” director Steven Spielberg’s fact-based tale of a teenage con artist, has made off with $97.6 million since its Dec. 25 bow. Industry observers expect the DreamWorks release to end up with about $175 million.

The two dueling romantic comedies “Two Weeks Notice” (Warner Bros.) and “Maid in Manhattan” (Columbia) held steady in their respective No. 3 and No. 4 slots. “Two Weeks Notice,” starring Sandra Bullock and Hugh Grant, earned $11.6 million from 2,755 theaters as its total rose to $69.3 million after three weekends. “Maid in Manhattan,” starring Jennifer Lopez and Ralph Fiennes, raced to $76.7 million after adding $9 million from 3,056 theaters in its fourth weekend.

Advertisement

“About Schmidt,” starring Nicholson as a newly retired actuary staring down death and disappointment, earned $8.8 million from just 816 theaters. The New Line release was previously playing in 34 theaters. After four weekends, it has totaled $12.3 million.

New Line domestic distribution president David Tuckerman said the studio would hold the “Schmidt” theater count steady for a while, opting for a slow and steady expansion powered by good word of mouth.

Miramax’s “Chicago” tuned in with $5 million from 304 theaters. Since opening last weekend in 77 theaters, it has kicked up $9.3 million. Its theater average of $16,500 was the highest in the top 10, followed by $10,723 for “Schmidt” and $7,082 for “Two Towers.”

Paramount’s “The Hours” remains the best performer in the limited-release world with $326,000 from 11 theaters, or an average of $29,636. It has earned $1 million after two weekends. The literary saga, starring Meryl Streep, Julianne Moore and Nicole Kidman, will go into wide release Jan. 17.

Also off to an impressive start was “Confessions of a Dangerous Mind,” the directing debut of George Clooney. The Miramax release, which details the purported secret life of game-show host Chuck Barris, grossed $91,789 from four theaters in its first weekend, a $22,947 average.

Miramax’s closely watched $100-million period epic “Gangs of New York” slipped one place to No. 6 in its third weekend with $7.4 million and a modest $3,210 average. The total rose to $47 million.

Advertisement

Spike Lee’s “The 25th Hour,” which covers the reflections of a drug dealer played by Edward Norton during his final hours of freedom before starting a prison term, took in $131,000 at five theaters, for an average of $26,281. Disney officials said the company will expand the film into about 475 theaters Friday.

Advertisement