More than a portrait on a dollar bill

In a former box factory on an old Brooklyn street named for him, half a mile from where his defeated army escaped by night to fight another day, George Washington has all but come back to life.

Not just one George Washington, but three: the 19-year-old wilderness surveyor, the 45-year-old Revolutionary War general and the 57-year-old president on his inauguration day in 1789.

The trio of life-size wax figures, created by British-born artists Stuart Williamson and Sue Day, is destined for a new $95-million permanent exhibit at Washington’s estate in Mount Vernon, Va. “The Real George Washington” will open to the public in October.

While a 1785 terra-cotta bust and plaster life mask by French sculptor Jean-Antoine Houdon and several portraits by American painter Charles Wilson Peale are considered the most accurate likenesses, StudioEIS director Ivan Schwartz says his team of sculptors also meets Washington’s own definition of artists as “doorkeepers of the temple of fame.”

“People will look at these figures and be sort of awe-struck, but they will make people think in a different way,” Schwartz says. “This is wonderful speculation about what he looked like.”

The idea of depicting Washington at three important periods in his life originated with James Rees, executive director at Mount Vernon, who says he realized Americans knew the mythological Washington who could not tell a lie and threw a dollar across the Rappahannock, but not the Washington chosen by his fellow founders to lead both the revolution and the new nation. “The only Washington they know is the one on the dollar bill,” he said.

None of the wax versions resembles the tight-lipped face on the dollar, but they do reflect the changes caused by progressive tooth loss that began at age 22 and in later life distorted the shape of his jaw and required him to wear dentures made of human and animal teeth.

Washington was born Feb. 22, 1732, and died at the age of 67. Because no portrait exists of him before age 38, the face of the young surveyor was based on age-regression technology used by Jeffrey Schwartz, a University of Pittsburgh anthropology professor, to determine how he probably looked at age 19.