‘Mean Girls’ leads thin week as box office feels effects of 2023 strikes
On a quiet weekend in movie theaters, “Mean Girls” repeated atop the box office with $11.7 million in ticket sales, according to studio estimates Sunday, while a handful of awards contenders sought to make an impact ahead of Tuesday’s Oscar nominations.
With a dearth of new releases in cinemas, and inclement weather across much of the country, Paramount Pictures’ Tina Fey-scripted musical “Mean Girls” pushed its two-week total past $50 million, along with $16.2 million internationally. So far, it’s outpacing the tally for the 2004 original “Mean Girls.”
Only one new film debuted in wide release: “I.S.S.,” a modestly budgeted sci-fi thriller starring Ariana DeBose. The movie, which speculates what would happen aboard the International Space Station if war were to break out between the U.S. and Russia, debuted with $3 million on 2,518 screens for Bleecker Street.
After a nuclear war appears to break out on Earth, orbiting American and Russian space scientists begin to view each other with suspicion in a sci-fi thriller.
Expectations weren’t high for “I.S.S.,” which drew only so-so reviews and was lightly marketed. Audiences also didn’t like it, giving the film a C minus CinemaScore.
But even for January, historically a low ebb for moviegoing, it was a sparsely attended weekend, with paltry options on the big screen. The top 10 films collectively accounted for just $51.3 million in box office, according to ComScore.
With a similarly thin release schedule on deck for next weekend, it could be the start of a chastening trend for Hollywood in 2024. Due to production delays caused by last year’s strikes, there are significant holes throughout this year’s movie calendar.
The Jason Statham thriller “The Beekeeper,” from Amazon MGM Studios, remained in second place, grossing $8.5 million in its second weekend, to bring its total to $31.1 million. Warner Bros.’ “Wonka,” six weeks into its smash run in theaters, was third, with $6.4 million in ticket sales. It’s taken in $187.2 million domestically.
Also continuing to leg out was Sony Pictures’ “Anyone But You.” The rom-com starring Sydney Sweeney and Glen Powell crossed $100 million globally in its fifth week of release. It’s the highest grossing R-rated romantic comedy — a genre that has largely migrated to streaming platforms — since 2016’s “Bridget Jones’s Baby.” Domestically, it came in fourth with $5.4 million.
Much of the weekend’s action was in expanding awards contenders.
Isabel Wilkerson, the Pulitzer-winning historian, becomes a main character portrayed by Aunjanue Ellis-Taylor in a film based on her exploration of racism.
After a qualifying release in December, Ava DuVernay’s “Origin,” starring Aunjanue Ellis-Taylor as the “Caste” author Isabel Wilkerson, launched in 125 theaters and pulled in $875,000 — a strong start for the acclaimed film.
Yorgos Lanthimos’ dark fantasy “Poor Things,” starring Emma Stone, added 820 theaters and grossed $2 million from 1,400 locations. The Searchlight Pictures release, which won the Golden Globe for best comedy-musical, has earned $33.7 million globally in seven weeks of slowly expanding release.
Cord Jefferson’s “American Fiction,” starring Jeffrey Wright as a frustrated novelist, expanded to 850 screens and pulled in $1.8 million. “American Fiction,” up to $8 million in six weeks, will look for a boost in Tuesday’s Oscar nominations.
Jonathan Glazer’s Auschwitz film “The Zone of Interest” expanded to 82 screens, grossing $447,684 for A24.
But after a strong launch, another awards contender, “The Color Purple,” has quickly fallen off the radar of moviegoers. Though widely acclaimed and with the backing of producers Oprah Winfrey and Steven Spielberg, the Warner Bros. musical has dropped fast in recent weeks. In its fourth week of release, the Blitz Bazawule-directed film starring Fantasia Barrino, Taraji P. Henson and Danielle Brooks, grossed just $720,000. Its domestic total is $59.3 million, below hopes for the $100-million budgeted film.
Only good movies
Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema.
You may occasionally receive promotional content from the Los Angeles Times.
