Take the bravado of sculptors Peter Voulkos and John Mason, fast-forward two generations, cross the gender line and what do you get? “All Right,” a hugely satisfying assembly of 16 female artists working in clay.
The show at Redling Fine Art in Los Angeles abounds in formal ingenuity and boundary-bending play. Intimacy and humble informality prevail, but there’s also a dose or two of good-humored brashness.
At the bawdy end of the spectrum are two large pieces by Ruby Neri that beg to be called sexpots. One of them riffs wittily on the associations between woman and vessel, vessel and body. The figure of a caricaturish blond pinup doubles as the form of the pot, one of its handles being her arm bent behind her head and the other a loop of her sallow tresses.
Most of the works in “All Right” are recent, except for two little tabletop pieces from the ‘70s by the late Hannah Wilke and a 1981 pleated wallwork by Lynda Benglis. What unites everything in this refreshing show is unabashed verve.
Redling Fine Art, 6757 Santa Monica Blvd., Los Angeles, (323) 230-7415, through May 21. Closed Sunday and Monday. www.redlingfineart.com
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