Column: Datebook: Weimar-era art, photos after the bomb, a show about Irvine’s radicals

A show at UC Irvine explores the radical artists who came out of the university's art program in the early 1970s. Seen here: a young Chris Burden and Charles Christopher Hill in the early 1970s.

A show at UC Irvine explores the radical artists who came out of the university’s art program in the early 1970s. Seen here: a young Chris Burden and Charles Christopher Hill in the early 1970s.

(Paul Sweet / Claire Trevor School of the Arts)

Art from one of Germany’s most turbulent periods. A show about Irvine’s art radicals. And photographs of objects forever damaged by the bombing of Hiroshima. Plus: a biennial of contemporary art from the Americas, early collages by a Nigerian-born artist and the Brewery Art Walk. Here’s what we’ve got in the Datebook:

“New Objectivity: Modern German Art in the Weimar Republic” at the L.A. County Museum of Art. A dark and gripping show explores the art of Germany following World War I and before the rise of the Third Reich. Featuring a mix of photography, painting, drawings and ephemera from the era, the exhibition captures the social, political and economic tumult of the Weimar period — the good, the bad and the gnarly. Not to be missed. Opens Sunday and runs through Jan. 18. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles,

“Ishiuchi Miyako: Postwar Shadows” at the Getty Center. For more than half a dozen years, the Japanese photographer has recorded objects and clothing affected by the atomic bombing of Hiroshima — capturing tears, holes and discoloration caused by irradiation. The images capture deeply personal details too, such as patches, mends and stains, all evidence of the full lives once inhabited by these garments. The Getty’s blog has a post that explains the artist’s process in more detail. Also on view will be a small exhibition of contemporary Japanese photographers. Opens Tuesday and runs through Feb. 21. 1200 Getty Center Drive, Brentwood, Los Angeles,

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“A Performative Trigger: Radicals of Irvine” at UC Irvine’s Claire Trevor School of the Arts. Some of Southern California’s most notable artists emerged in the first MFA class at UC Irvine, which graduated in 1971. This includes figures such as Barbara T. Smith, Nancy Buchanan and Chris Burden — the last of whom famously had himself shot in the arm as a work of performance. The exhibition gathers ephemera and documentation from the era, as well as a number of original works, including video footage of Burden’s “Shoot.” Opens Saturday at 2 p.m. and runs through Dec. 12. UC Irvine, 4000 Mesa Road, Irvine,

“3rd Sur: Biennial” in venues around Los Angeles. Opening in four venues around Los Angeles, including the Torrance Art Museum, the Manhattan Beach Art Center, the Rio Hondo College Art Gallery and the Cerritos College Art Gallery, this biennial looks at ideas of globalization and exchange between artists in the U.S., Mexico, and Central and South America. The various exhibitions feature installations by established L.A. artists such as Lorenzo Hurtado Segovia, Carolyn Castaño and Patrick Martinez, among many others. Opens Saturday at the Torrance Art Museum (3320 Civic Center Diver, Torrance) and the Manhattan Beach Art Center (1560 Manhattan Beach Blvd., Manhattan Beach) with simultaneous receptions at 6 p.m. The related exhibitions at Cerritos College (11110 Alondra Blvd., Fine Arts Building, Room 50, Norwalk) and Rio Hondo College Art Gallery (3600 Workman Mill Road, Building B-14., Whittier) open Thursday. For more information visit

“Hammer Projects: Njideka Akunyili Crosby” at the Hammer Museum. The Nigerian-born artist opened an exhibition of her recent collages at the Art + Practice space in Leimert Park in September. Now there’s more, a second exhibition at the Hammer that features a selection of her early works: wild collages of intimate domestic scenes fabricated from scraps of magazine pages. Opens Saturday and runs through Jan. 10. 10899 Wilshire Blvd., Westwood,

“Oasis” at the Sturt Haaga Gallery at Descanso Gardens. In this new exhibition, 22 artists reflect on the idea of oasis. This takes the form of painting and sculpture, but also site-specific works set around the gardens. Through Dec. 6. 1418 Descanso Drive, La Cañada Flintridge,

The Brewery Art Walk. More than 100 participating artists throw open their studio doors at this old Lincoln Heights brewery for a biannual art walk. A good place to see new things and possibly score a deal. This Saturday and Sunday from 11 a.m. to 6 p.m. 2100 N. Main St., Los Angeles,


Ambulante Documentary Film Festival in various locations around L.A. It is the final weekend for the itinerant documentary film festival known for screening in unusual locations— such as the Los Angeles River. (I wrote about them back in August). Friday night the fest screens Betzabé García’s positively hypnotic “Los Reyes Del Pueblo Que No Existe” (“Kings of Nowhere”), about the few remaining residents of a Mexican village flooded by the construction of a dam. (See a trailer.) This will be followed by a screening on Saturday night at the Baldwin Hills Scenic Overlook of Rodney Ascher’s “The Nightmare,” a doc about sleep paralysis. On Sunday, viewers can catch “Bikes Vs. Cars” at the Bowtie Project on the banks of the L.A. River. There will be a special encore screening of Mary Mazzio’s “Underwater Dreams” in Long Beach on Oct. 10. The film is about a group of Mexican American teens who design an underwater robot from Home Depot parts. For a full schedule visit ambulanteusa.

“Mark Jenkins: Still Life” at Castanier Gallery. The artist is known for creating sculptures of human figures that he deposits on the street, often in uncanny positions: on their knees or with their heads embedded into walls of concrete — a way of playing with the landscape of the city and the human figure in ways that unnerve. This show gathers his latest. Through Saturday. 2919 La Cienega Blvd., Culver City,

Diane Silver, “Sacrament,” at Coagula Curatorial. Seven abstract works — each titled after a different sacrament — reflect on the artist’s Catholic upbringing. (She has since lapsed.) Good timing considering the Pope’s much-discussed visit. Through Sunday. 974 Chung King Road, Chinatown, Los Angeles,

Camilo Restrepo, “Tightrope,” at Steve Turner Contemporary. The Colombian artist is showing a series of intricate drawings that weave together cartoonish scenes of violence. In the past, these have explored the topic of the drug wars, but these latest works, centered on figures of fighters, tackle the struggles of the artist’s own mind. Do not miss. Through Thursday, 6830 Santa Monica Blvd., Hollywood,


Candice Lim | Martine Syms at Chan Gallery at Studio Art Hall. A small, two-person show features work by Pomona College visiting lecturers Lim and Syms. On view will be drawings and other works by Lim, whose pieces often explore issues of gender and sexuality, as well pieces by Syms, who is interested in the ways in which objects are afforded their meanings. Through Oct. 9. Pomona College art department, 370 Columbia Ave., Claremont,

“Comic Book Apocalypse: The Graphic World of Jack Kirby” at Cal State Northridge Art Galleries. The artist who helped launch titles such as “The Avengers” and “X-Men” into the public imagination remains one of the most influential comics artists of all time — and this exhibition documents his career, which lasted for more than half a century. For comic book geeks, this one should be a site of pilgrimage. Through Oct. 10; a special public reception will be held at 4 p.m. Saturday. 18111 Nordhoff St., Northridge,

Glenn Ligon, “Live,” at Regen Projects West Hollywood. A seven-screen video installation explores the body language of comedian Richard Pryor — all from a 1982 routine in which the comedian was at the height of his powers. Through Oct. 10. 633 N. Almont Drive, West Hollywood,

Mark Steven Greenfield, “The Egun Squad,” at Offramp Gallery. Pop-inflected works take on Afro-Brazilian belief in Greenfield’s “Egungun” series, a play on the African spirits whose positive associations can also be rife with negativity. Through Oct. 11, 1702 Lincoln Ave., Pasadena,

Urs Fischer, “Fountains,” at Gagosian Gallery. The Zurich, Switzerland-born artist got pride of place at the new Broad museum, with one of his drippy street-lamp sculptures greeting visitors in the lobby. Gagosian has gathered a number of his fountain sculptures — pieces that have the appearance of being hastily made out of clay but are actually crafted from cast bronze. Through Oct. 17. 456 N. Camden Drive, Beverly Hills,

Casey Reas, “Linear Perspective,” at Charlie James Gallery. Reas creates digital collages out of all manner of imagery, from photos that run in the New York Times to the profile pictures of thousands of his Twitter followers. These are then molded into hallucinatory videos that toy with aspects of these mass media. Through Oct. 17. 969 Chung King Rd., Chinatown, Los Angeles,

Gail Albert Halaban, “Paris Views,” at Kopeikin Gallery. The latest series by the New York-based photographer looks at the slivers of life that occur in the open windows of Paris — images that capture the romance of the city’s architecture as much as they do intimate moments of contemplation. Through Oct. 17. 2766 S. La Cienega Blvd., Culver City,

“In Focus: Animalia,” at the Getty Museum. Drawn from the museum’s collection of photographs, this small show focuses on the relationship between human and animal as defined by the camera’s lens. This includes work by early 19th century photographers who captured dogs, wild felines and even taxidermy game in early photographs and daguerreotypes. Through Oct. 18. 1200 Getty Center Drive, Brentwood, Los Angeles,

“Documenters and Storytellers: Photographic Narratives in the 20th Century,” at the Ruth Chandler Williamson Gallery at Scripps College. An exhibition drawn from the museum’s extensive collection of photography looks at the ways in which documentary photography has been employed in artistic ways. The show features well-known photographers, such as Leon Freed, August Sander, Leon Levinstein and Eve Arnold. Through Oct. 18. Scripps College, 1030 Columbia Ave., Claremont,

Matthew Barney, “Water Castings: Fourteen Pieces,” at Regen Projects Hollywood. He has a solo show at the Museum of Contemporary Art, but too much Barney is never enough — so Regen is showing a number of related “River of Fundament” sculptures crafted from bronze. Through Oct. 24. 6750 Santa Monica Blvd., Hollywood,

Iñigo Manglano-Ovalle, “Well,” at Christopher Grimes Gallery. In 2014, the Spanish artist installed a hand-pump well in a New Mexico community as part of SITE Santa Fe. Now, with California dry as a bone, he has brought 500 gallons of that water to a gallery in Santa Monica — a symbolic gift that gets at the nature of water as commodity. Through Oct. 24. 916 Colorado Ave., Santa Monica,

Kazunori Hamana, Yuji Ueda, Otani Workshop” at Blum & Poe. Organized by Takashi Murakami, this exhibition gathers works by contemporary Japanese ceramists. Through Oct. 24. 2727 S. La Cienega Blvd., Culver City,

“Vitality and Verve: Transforming the Urban Landscape” at the Long Beach Museum of Art. The museum has commissioned a series of new murals by well-known urban artists such as Saber, Greg “Craola” Simkins, Jeff Soto, Tristan Eaton and Audrey Kawasaki. These are all part of the summer arts festival Pow! Wow! Long Beach! Extended through Oct. 25. 2300 E. Ocean Blvd., Long Beach,

Lisa Adams, “America the Beautiful,” at CB1 Gallery. The L.A. painter is known for abstracting elements of the urban and the natural into surreal landscapes that seem to capture the city’s forgotten corners. At CB1, she casts her eye on the natural, social and political issues facing our country. Through Oct. 31. 1923 S. Santa Fe Ave., downtown Los Angeles,

Frank Bowling at Marc Selwyn Fine Art. The British pop artist became known in the late 1960s for producing brightly-hued color field paintings layered with the subtle images of maps. This exhibition shows a pair of those early map works, as well as an array of more recent canvases, which focus on pure color abstraction. Through Oct. 31. 9953 S. Santa Monica Blvd., Beverly Hills,

Giorgio Morandi and Robert Ryman, “Object/Space,” at Kohn Gallery. In an age of shiny objects, this exhibition is quite the opposite, showing the restrained and quiet works of a pair of artists who explored the subtleties of light, shadow and muted tones. The show features Ryman’s white paintings and Morandi’s tight still-life arrangements. Through Oct. 31. 1227 N. Highland Ave., Hollywood,

Doug Rickard, “N.A.,” at Little Big Man Gallery. Rickard became known for mining Google Street View as a source of found photography. Now he has turned his attention to YouTube, where over a three-year period, he has scoured the social media site for videos tagged with phrases such as “hood fight” and “passed out white girl” from which he has harvested an array of images that are both cinematic and bizarre. Through Oct. 31. 1427 E. 4th St., Boyle Heights, Los Angeles,

Ricky Swallow, "/SKEWS/,” at David Kordanksy Gallery. Swallow is known for cast-bronze sculptures that mimic other materials: wood, cardboard and tape. In his first show at Kordanksy, he plays with rope and the myriad shapes and meanings it can take on. Through Oct. 31. 5130 W. Edgewood Place, Mid-City, Los Angeles,

“Someday Is Now: The Art of Corita Kent,” at the Pasadena Museum of California Art. Known for a groundbreaking body of work that combined faith, activism, snippets of found text and bold color, Kent was a Catholic nun who also had a prolific career as a fine art printer. Through Nov. 1. 490 E. Union St., Pasadena,

Dan McCarthy, “Facepots,” at Venus Over Los Angeles. Ceramic pots that appear hastily crafted feature the visages of cartoonish figures in an array of colors — pieces that play as much with pop culture as they do with classical form. Also on view will be some of the Hawaii-born artist’s new paintings. Through Nov. 1. 601 S. Anderson St., Boyle Heights, Los Angeles,

Elad Lassry at David Kordanksy Gallery. Lassry uses photography in myriad ways — as a form of representation (be they engines or snakes), but also as a material — embedded into wood sculpture and acrylic glass slabs that hang on a wall, in ways that often strip the images of their original meanings. Through Nov. 5. 5130 W. Edgewood Place, Mid-Wilshire, Los Angeles,

“Shelter: Rethinking How We Live in Los Angeles” at the Architecture and Design Museum. As L.A. reaches the limits of sprawl, city planners, developers and designers are thinking about how to do more with less: less space, less material and a greater attention to questions of environment and density. This exhibition asked six architectural teams to consider housing options for the L.A. of the future. The examples vary from the radical (a series of buildings occupying strips of Wilshire, developed by Kulapat Yantrasast and the team at wHY Architecture) to the more restrained (a proposal by LA-Más that would pump up the density on granny apartments). Through Nov. 6. 900 E. 4th St., downtown Los Angeles,

“To Live and Dine in L.A.” at the Central Library. The history of a place can be told through its texts: its books, its accumulated government documents and its menus too. Critic and writer Josh Kun has pored over the Los Angeles Public Library’s extensive historic menu archive and put together a show that tells a layered story about L.A.’s food and design — but also stories of politics, culture, society, race and gender. See an image gallery. Through Nov. 13. 630 W. 5th St., downtown Los Angeles,

“Somewhere Over El Arco Iris: Chicano Landscapes, 1971-2015” at the Museum of Latin American Art. Guest curator Julian Bermudez has gathered 25 works that tell a story of landscape through the works of Chicano artists over more than four decades. This includes classic pieces by noted California figures such as Gronk, Frank Romero, Patssi Valdez and Carlos Almaraz. But it also includes up-and-comers such as Shizu Saldamando and Jaime “Germs” Zacarías. Through Nov. 15. 628 Alamitos Ave., Long Beach,

“Gyre: The Plastic Ocean,” and Cynthia Minet, “The Beast of Burden,” at USC’s Fisher Museum. A pair of exhibitions provide different perspectives on detritus. “Gyre” explores the gyre of trash in the Pacific through art — namely, the ways sculptors, photographers and others have employed discarded plastic as material for assemblages, photographs and installation. Minet, in the meantime, employs piles of plastic scraps to create illuminated life-size sculptures of animals. Through Nov. 21. 823 Exposition Blvd., Exposition Park, Los Angeles,

“Njideka Akunyili Crosby: The Beautyful Ones” at Art + Practice. Bright collages crafted from old family snapshots and the pages of Nigerian lifestyle magazines depict intimate domestic scenes — often the artist and her husband. It’s the first show in L.A. for the Nigerian-born artist, whose exhibition is being done in partnership with the Hammer Museum. Also on view will be two films by Akosua Adoma Owusu. Through Nov. 21. 4339 Leimert Blvd., Leimert Park, Los Angeles,

“Cao Fei: Shadow Plays” at the Mistake Room. An imaginary China in Second Life and a video that riffs on the zombie-like nature of middle class ennui — this is the first Los Angeles exhibition for the Beijing-based artist, whose work has been shown at the Museum of Modern Art in New York and the Palais de Tokyo in Paris. Expect a series of wry pieces that examine the real and invented side effects of Chinese-style capitalism. Through Nov. 21. 1811 E. 20th St., downtown Los Angeles,

“Adams, Curtis and Weston: Photographers of the American West” at the Bowers Museum. More than three dozen images produced by three of the most iconic American photographers tell the story of the American West — through dreamy images of landscape as well as the people who once inhabited it. Through Nov. 29. 2002 N. Main St., Santa Ana,

“Far-Sited: California International Sculpture Symposium 1965/2015" at University Art Museum at Cal State Long Beach. In 1965, an international conference brought sculptors from around the globe to Southern California to make works in collaboration with local industry. (I wrote about it in the spring.) Many of these pieces now dot the Cal State Long Beach campus. The museum exhibition explores this history, presenting an array of vintage photographs, sketches and maquettes. Through Dec. 13. 1250 Bellflower Blvd., Long Beach,

“Fred Tomaselli: The Early Works — Or How I Became A Painter” at Begovich Gallery at Cal State Fullerton. Tomaselli, a painter and collagist, is known for hallucinatory arrangements of objects and patterns that explore inner journeys. But he got his start as a light and space artist, playing with ideas of perception. The Begovich Gallery is showing his earliest works, which have not be exhibited since they were first made, primarily in the ‘80s. Through Dec. 17. 800 N. State College Blvd., Fullerton,

“KLAM Radio” at 323 Projects. Performance artist Lenae Day and writer Anna Kryczka have teamed up to put together a paean and parody to the bizarre art of small-town radio — in this case, in the fictional desert settlement of San Ranchito. This includes spoofs of public radio and right-wing talk. And, of course, there’s the station’s hilarious promotional slogan: “Jam out with your KLAM out.” The podcasts are all available on the 323 Projects website. Listeners are welcome to call the gallery’s line (323-843-4652) to leave dedications for the KLAM DJs. Through December, at

“Paperworks” at the Craft and Folk Art Museum. A variety of works by 15 artists — from sculpture to collage — are made entirely out of cut paper. This includes Lecia Dole-Recio’s painted mosaics, Lorenzo Hurtado Segovia’s woven paper abstractions, Soo Kim’s reconfigured photographic landscapes and Susan Sironi’s carved-up books. Expect to see paper in ways you might not have expected. Through Jan.3. 5814 Wilshire Blvd., Mid-Wilshire, Los Angeles,

Matthew Barney, “River of Fundament” at the Museum of Contemporary Art. Barney is a video and performance artist known for producing lush works inspired by fantastical mythologies. His latest (which includes an epic six-hour film) reimagines the birth and death cycles of the Egyptian Book of the Dead (or at least Norman Mailer’s take on the Egyptian Book of the Dead). Should be decadent. Through Jan. 18. The Geffen Contemporary, 152 N. Central Ave., downtown Los Angeles,

Stas Orlovski, “Skazka,” at Young Projects Gallery. The L.A.-based Orlovski is known for his haunting stop-motion animations that employ bits of vintage children’s books and Victorian drawings. This new work, which features a soundtrack by experimental audio artist Steve Roden, is inspired by 19th century magic lantern performances and will include a stage-set and larger-than-life projections onto silhouettes. Through Feb. 5. Pacific Design Center, 8687 Melrose Ave., Space B230, West Hollywood,

“Various Small Fires (Working Documents)” at the Los Angeles County Museum of Art. A show that illuminates unusual bits of LACMA history: the plan to have a robot patrol the galleries or the time a dog worked as a security guard. Included in the mix is Ed Ruscha’s working sketch for his infamous mid-’60s canvas, “The Los Angeles County Museum on Fire.” Through Feb. 7. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles,

“Noah Davis: Imitation of Wealth” at the Museum of Contemporary Art Grand Avenue. In 2013, Davis recreated a series of works by famous artists and put them on display at the Underground Museum, his alternative art space in Arlington Heights. The idea was to display works of high cultural value in an unlikely setting. Now, the Museum of Contemporary Art has recreated the install — a work made more poignant by the artist’s passing last week. (The piece is viewable through the windows of a storefront space adjacent to the museum free of charge.) Through Feb. 22. 250 S. Grand Ave., downtown Los Angeles,

“Hard Edged: Geometrical Abstraction and Beyond” at the California African American Museum. A new exhibition features the work of 46 artists — from emerging figures to well-established names — working in the arena of geometric abstraction. This includes works by fresh voices and standard bearers, including well-known figures such as Rashid Johnson, Senga Nengudi, David Hammons and Tim Washington. Through April 24. 600 State Drive, Exposition Park, Los Angeles,

“Frank Gehry” at the Los Angeles County Museum of Art. Featuring more than 200 drawings, 65 models, as well as countless photographs and video, this retrospective looks at the life and career of one of L.A.’s most celebrated architects. Totally worth it just to see the original design for downtown’s Disney Hall. (Glad they went for the option that was built.) Through March 20. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles,

Alice Könitz, “Los Angeles Museum of Art (LAMOA),” at Occidental College. This is a work of sculpture that also serves as a micro exhibition hall. The space was established in Könitz’s backyard in 2012 but will be on view at Occidental College for the course of the academic year. The inaugural exhibition features work by L.A. artist Alice Clements. Through spring 2016. In front of Weingart Hall at Occidental College, 1600 Campus Road, northeast Los Angeles,

“Islamic Art Now” at the Los Angeles County Museum of Art. Contemporary works from LACMA’s permanent collection by 20 artists who live in or have roots in the Middle East look at questions of society, gender and identity. Runs indefinitely. 5905 Wilshire Blvd., Los Angeles,

Find me on Twitter @cmonstah.