‘Random Access Memories,’ Daft Punk
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Randall Roberts’ best albums of 2013

‘Random Access Memories,’ Daft Punk
Robotic French duo channel vibe of Studio 54, “Thriller” & Giorgio Moroder. Perfect clone for new android ears. #getlucky

MORE: Read the review (Luis Sinco / Los Angeles Times)
‘Spring Breakers’ soundtrack
Dubstep ‘n inst. score capturing spirit of moment just as ‘Singles,’ ‘16 Candles’ & ‘Apocalypse Now’ before. (Handout)
‘Doris,’ Earl Sweatshirt
Odd Future rapper’s work marked arrival of smart LA voice “in the midst of a tornado/Misfitted like Clark Gable.”

MORE: Interview with the artist | Album review | Concert review (Genaro Molina / Los Angeles Times)
‘Reflektor,’ Arcade Fire
Rhythm + Haiti + James Murphy + David Bowie = Tornadic disco-dub-rock. Heavy but buoyantly ambitious and dynamic.

MORE: Concert review | Album review (Kevin Winter / Getty Images for CBS Radio)
‘12 Stories,’ Brandy Clark
Pain pills. Aqua Net, cigarettes, lipstick. Pistol. Tokes of pot. Crimes of fashion. Broken dishes. Twang.

MORE: Read the review (Terry Wyatt / Getty Images)
‘Like Clockwork,’ Queens of the Stone Age
Melodic distortion from best hard rock band on Earth. Mesmerizing, honest, sweet but barbed.

MORE: Queens of the Stone Age are back on the clock | Album review | Live review (Paul Bergen / AFP / Getty Images)
‘Once I Was an Eagle,’ Laura Marling
British folk rock starring voice with backbone. LP will get 25-year reissue in 2038 to grand acclaim.

MORE: Read the review (Press Here)
‘Acid Rap,’ Chance the Rapper
Tripped-out reporting of bloody Chicago from teen breakout. Hard but witty, tough but emo. #lsd #cocoabutter

MORE: Read the review (Matthew Eisman / Getty Images)
‘World Boogie Is Coming,’ North Mississippi All-Stars
“Sandinista!” of blues from Dickinson bros. Guitar, fife, drum — and Robert Plant on harp. (Erika Goldring / Getty Images)
‘Yeezus,’ Kanye West
Unrepentant, polarizing, furiously minimal, ‘Yeezus’ succeeded despite/because of the ego who built it. #croissants

MORE: ‘Yeezus’ chopped and screwed | Album review | Live review (Brian van der Brug / Los Angeles Times)
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