FEAR OF COLORIZING
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Caution: The following letters have been colorized. Do not read without using special safety glasses.
Ted Turner is 100% correct when he challenges, “Why all the furore over colorization and nothing about the butcher job of editing old films for TV?”
Why hasn’t the motion-picture industry ever reared up on its hind legs about the fact that every two-bit so-called editor at every channel in town--and every other town--can chop up a film as he/she deems fit?
In the same vein, how come there’s no objection to the fact that “modern era” films are often lengthened/shortened, relengthened/reshortened, for individual showings on TV?
Certainly these crimes are far greater than colorization. Or is the script still at the bottom of the priority list?
DAVID R. MOSS
Los Angeles
Only good movies
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