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Milquetoast to Bully

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“My biggest problem is that he was quite milquetoast,” says Carl Lumbly, recalling his good-guy role as Det. Marcus Petrie on “Cagney & Lacey.” It’s hardly a factor in his current part. In the 1927-set “Eden” (at the Los Angeles Theatre Center), Lumbly pulls out the stops as West Indian patriarch Joseph Barton, a bullying, battering separationist who blames American blacks for the disintegration of racial purity.

The actor, who originally played the role in 1980, is finding the reprisal a tough one.

“This man has made me feel old,” he says. “Before I had all that youthful energy. It didn’t seem to go as deeply as it does now. Certain things in life take you to a deeper place. I wasn’t a father then, and my (Jamaican) father was still alive. This time, I see Mr. Barton’s brutality and single-mindedness as less tyrannical, born of fear and hope. I love him a lot more. Of course,” he says, laughing. “It’s my job to love him.”

Since the 1988 cancellation of “Cagney & Lacey,” Lumbly credits 1-year-old son Brandon (mom is actress Vonetta McGee) with providing the constancy in his life.

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“Not my work life,” he says. “But that’s OK. There were parts of the series, though it was consistent, that it was not really regular--when you were there simply to be counted. I think the strength of the show was definitely the two women; the stories almost always had to come from that point of view. If I were to criticize, I’d say we could’ve been more effectively woven into their lives in the precinct. But I don’t think the show suffered from that at all.”

Being off a series has freed Lumbly up to do lot of other work (including the films “Bedroom Window” and “Everybody’s All-American”)--and also freed him from a weekly paycheck. “You do get used to that,” he admits. “But I feel pretty fortunate. And certainly in this business, (regular work is) an exception. Those five years were quite sweet. But there’s a part of me that never really believed it was happening anyway. It feels like winning the lottery.”

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