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X, “See How We Are” (1987) <i> Elektra</i>

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Back in the early ‘80s, X was the quintessential critics’ band, overlooked by the record buying masses and adored by rock journalists. The quartet’s first two albums were hailed as punk- noir masterpieces; its third and fourth were heard as stylistically expansive works by a unit maturing into a great American rock ‘n’ roll band. Unfortunately, even the critics underestimated the group’s sixth album, “See How We Are,” an indifferent reaction due partly to an X backlash that had kicked in with the release of the disappointing “Ain’t Love Grand” in 1985. Also, X had become a different entity by 1987. Guitarist Billy Zoom, who helped define the group’s inimitable sound with his punked-up rockabilly riffs, had quit, and in his place stood Tony Gilkyson with a more straightforward, less charismatic instrumental style. In any case, “See How We Are” has held up remarkably well since its release. The songs are focused, the performances impassioned. X may, in “Surprise, Surprise,” be yearning for its lost youth, but the band reveals plenty of its old vitality in such highly charged numbers as “I’m Lost” and “In the Time It Takes.” Perhaps the best songs here, though, are two melodic, moving pieces, Dave Alvin’s “4th of July” and the title track. The former is a tale of deteriorating romance; the latter moves dramatically from an acoustic duet featuring singers John Doe and Exene Cervenka to a raucous, electric workout. “See How We Are” is a rewarding album that deserves re-evaluation.

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